Waking the Dead
2000 · 105 min · Director: Keith Gordon
Show plot summary (may contain spoilers)
A congressional candidate questions his sanity after seeing the love of his life, presumed dead, suddenly emerge.
Emotional fingerprint
Waking the Dead (2000) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Empathy25%
- Melancholy20%
- Anxiety15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama, Romance, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 48 % | 8 % | 33 % | 35 % |
| 7.5 % | ≈ 8′ | Curiosity | 44 % | 20 % | 20 % | 31 % |
| 12.5 % | ≈ 13′ | Love | 45 % | 29 % | 18 % | 32 % |
| 17.5 % | ≈ 18′ | Curiosity | 50 % | 30 % | 31 % | 35 % |
| 22.5 % | ≈ 24′ | Love | 51 % | 35 % | 41 % | 32 % |
| 27.5 % | ≈ 29′ | Sadness | 48 % | 34 % | 40 % | 26 % |
| 32.5 % | ≈ 34′ | Love | 45 % | 30 % | 36 % | 24 % |
| 37.5 % | ≈ 39′ | Sadness | 46 % | 26 % | 28 % | 33 % |
| 42.5 % | ≈ 45′ | Tension | 53 % | 25 % | 19 % | 46 % |
| 47.5 % | ≈ 50′ | Tension | 61 % | 38 % | 25 % | 54 % |
| 52.5 % | ≈ 55′ | Love | 68 % | 43 % | 34 % | 58 % |
| 57.5 % | ≈ 60′ | Tension | 74 % | 34 % | 45 % | 55 % |
| 62.5 % | ≈ 66′ | Sadness | 75 % | 30 % | 56 % | 48 % |
| 67.5 % | ≈ 71′ | Tension | 71 % | 32 % | 51 % | 53 % |
| 72.5 % | ≈ 76′ | Curiosity | 69 % | 36 % | 44 % | 59 % |
| 77.5 % | ≈ 81′ | Tension | 65 % | 26 % | 43 % | 56 % |
| 82.5 % | ≈ 87′ | Sadness | 70 % | 31 % | 55 % | 54 % |
| 87.5 % | ≈ 92′ | Love | 81 % | 65 % | 70 % | 43 % |
| 92.5 % | ≈ 97′ | Love | 85 % | 84 % | 69 % | 23 % |
| 97.5 % | ≈ 102′ | Love | 85 % | 85 % | 65 % | 10 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Waking the Dead. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sarah's Father
Francisco Higgens
Details
- Directed by
- Keith Gordon
- Written by
- Robert Dillon, Scott Spencer
- Type
- Movies
- Released
- 2000
- Runtime
- 105 min
- Country
- Canada, United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
