Love Affair
1939 · 88 min · Director: Leo McCarey
Show plot summary (may contain spoilers)
A French playboy and an American former nightclub singer fall in love aboard a ship. They arrange to reunite six months later, if neither has changed their mind.
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Emotional fingerprint
Love Affair (1939) — Movie. Top emotional signals: Love 35%, Melancholy 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Melancholy25%
- Anticipation20%
- Sadness15%
- Hope5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Melancholy, Anticipation. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Melancholy and Anticipation. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 45 % | 12 % | 3 % | 0 % |
| 7.5 % | ≈ 7′ | Humor | 51 % | 23 % | 8 % | 1 % |
| 12.5 % | ≈ 11′ | Humor | 56 % | 32 % | 10 % | 3 % |
| 17.5 % | ≈ 15′ | Humor | 56 % | 37 % | 11 % | 6 % |
| 22.5 % | ≈ 20′ | Love | 51 % | 41 % | 14 % | 13 % |
| 27.5 % | ≈ 24′ | Love | 48 % | 41 % | 21 % | 14 % |
| 32.5 % | ≈ 29′ | Hope | 53 % | 45 % | 30 % | 24 % |
| 37.5 % | ≈ 33′ | Love | 63 % | 56 % | 38 % | 35 % |
| 42.5 % | ≈ 37′ | Love | 69 % | 63 % | 53 % | 29 % |
| 47.5 % | ≈ 42′ | Hope | 68 % | 55 % | 61 % | 28 % |
| 52.5 % | ≈ 46′ | Hope | 63 % | 37 % | 55 % | 29 % |
| 57.5 % | ≈ 51′ | Humor | 66 % | 29 % | 43 % | 32 % |
| 62.5 % | ≈ 55′ | Tension | 79 % | 38 % | 27 % | 56 % |
| 67.5 % | ≈ 59′ | Sadness | 80 % | 44 % | 29 % | 64 % |
| 72.5 % | ≈ 64′ | Hope | 71 % | 44 % | 42 % | 51 % |
| 77.5 % | ≈ 68′ | Sadness | 66 % | 45 % | 45 % | 50 % |
| 82.5 % | ≈ 73′ | Hope | 64 % | 44 % | 44 % | 46 % |
| 87.5 % | ≈ 77′ | Love | 65 % | 48 % | 39 % | 43 % |
| 92.5 % | ≈ 81′ | Love | 75 % | 63 % | 41 % | 52 % |
| 97.5 % | ≈ 86′ | Love | 87 % | 78 % | 58 % | 63 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lois Clarke
Terry's Landlady (uncredited)
Ship Passenger (uncredited)
Doctor (uncredited)
Theatre Patron (uncredited)
Nightclub Patron (uncredited)
Doctor (uncredited)
Terry's Maid Annie (uncredited)
Details
- Directed by
- Leo McCarey
- Written by
- Mildred Cram, Leo McCarey, Delmer Daves, Donald Ogden Stewart
- Type
- Movies
- Released
- 1939
- Runtime
- 88 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
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