The Music Box
1932 · 29 min · Director: James Parrott
Show plot summary (may contain spoilers)
The Laurel & Hardy Moving Co. have a challenging job on their hands (and backs): hauling a player piano up a monumental flight of stairs to Prof. von Schwarzenhoffen's house. Their task is complicated by a sassy nursemaid and, unbeknownst to them, the impatient Prof. von Schwarzenhoffen himself. But the biggest problem is the force of gravity, which repeatedly pulls the piano back down to the bottom of the stairs.
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Emotional fingerprint
The Music Box (1932) — Movie. Top emotional signals: Humor 45%, Smile 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Smile25%
- Excitement15%
- Surprise10%
- Relief5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Excitement. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Excitement. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 76/100.
How did it make you feel?
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Pick up to three · 0/3
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Cast
Details
- Directed by
- James Parrott
- Written by
- Stan Laurel, Oliver Hardy, H.M. Walker, Charley Rogers, James Parrott
- Type
- Movies
- Released
- 1932
- Runtime
- 29 min
- Country
- United States of America
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





