Four Daughters
1938 · 90 min · Director: Michael Curtiz
Show plot summary (may contain spoilers)
Musician Adam Lemp and his four equally musical daughters, Emma, Ann, Kay, and Thea, live happily together. Each daughter has an upstanding young man for whom she cares. However, the arrival of a cynical, slovenly young composer named Mickey Borden turns the household upside-down, and romantic and tragic complications ensue.
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Emotional fingerprint
Four Daughters (1938) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Love25%
- Empathy20%
- Anxiety15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Empathy. Genres: Drama, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Empathy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Emotional journey
- Love
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 46 % | 33 % | 11 % | 0 % |
| 7.5 % | ≈ 7′ | Humor | 51 % | 32 % | 12 % | 1 % |
| 12.5 % | ≈ 11′ | Humor | 56 % | 34 % | 14 % | 4 % |
| 17.5 % | ≈ 16′ | Humor | 57 % | 37 % | 20 % | 9 % |
| 22.5 % | ≈ 20′ | Humor | 53 % | 36 % | 22 % | 11 % |
| 27.5 % | ≈ 25′ | Humor | 48 % | 34 % | 19 % | 7 % |
| 32.5 % | ≈ 29′ | Love | 49 % | 41 % | 21 % | 6 % |
| 37.5 % | ≈ 34′ | Love | 49 % | 41 % | 24 % | 7 % |
| 42.5 % | ≈ 38′ | Humor | 46 % | 24 % | 32 % | 15 % |
| 47.5 % | ≈ 43′ | Empathy | 47 % | 22 % | 42 % | 25 % |
| 52.5 % | ≈ 47′ | Love | 54 % | 41 % | 44 % | 25 % |
| 57.5 % | ≈ 52′ | Love | 61 % | 51 % | 46 % | 28 % |
| 62.5 % | ≈ 56′ | Empathy | 63 % | 42 % | 52 % | 39 % |
| 67.5 % | ≈ 61′ | Tension | 65 % | 33 % | 57 % | 50 % |
| 72.5 % | ≈ 65′ | Sadness | 64 % | 34 % | 58 % | 51 % |
| 77.5 % | ≈ 70′ | Empathy | 57 % | 39 % | 47 % | 35 % |
| 82.5 % | ≈ 74′ | Love | 55 % | 42 % | 37 % | 23 % |
| 87.5 % | ≈ 79′ | Empathy | 64 % | 40 % | 52 % | 44 % |
| 92.5 % | ≈ 83′ | Sadness | 75 % | 42 % | 67 % | 68 % |
| 97.5 % | ≈ 88′ | Sadness | 73 % | 49 % | 64 % | 68 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Man (uncredited)
Mrs. Ridgefield's Friend (uncredited)
Waiter (uncredited)
Details
- Directed by
- Michael Curtiz
- Written by
- Julius J. Epstein, Lenore J. Coffee, Lawrence Kimble, Thyra Samter Winslow
- Type
- Movies
- Released
- 1938
- Runtime
- 90 min
- Country
- United States of America
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





