Mamma Roma
1962 · 110 min · Director: Pier Paolo Pasolini
Show plot summary (may contain spoilers)
After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.
Emotional fingerprint
Mamma Roma (1962) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Melancholy20%
- Anger10%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 49 % | 14 % | 12 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 52 % | 28 % | 13 % | 13 % |
| 12.5 % | ≈ 14′ | Hope | 57 % | 45 % | 24 % | 19 % |
| 17.5 % | ≈ 19′ | Tension | 59 % | 48 % | 36 % | 24 % |
| 22.5 % | ≈ 25′ | Humor | 55 % | 43 % | 25 % | 25 % |
| 27.5 % | ≈ 30′ | Hope | 52 % | 32 % | 20 % | 16 % |
| 32.5 % | ≈ 36′ | Tension | 48 % | 26 % | 30 % | 13 % |
| 37.5 % | ≈ 41′ | Empathy | 45 % | 30 % | 29 % | 15 % |
| 42.5 % | ≈ 47′ | Humor | 47 % | 38 % | 29 % | 21 % |
| 47.5 % | ≈ 52′ | Empathy | 56 % | 48 % | 40 % | 31 % |
| 52.5 % | ≈ 58′ | Tension | 59 % | 45 % | 50 % | 27 % |
| 57.5 % | ≈ 63′ | Tension | 57 % | 35 % | 53 % | 16 % |
| 62.5 % | ≈ 69′ | Tension | 58 % | 35 % | 45 % | 11 % |
| 67.5 % | ≈ 74′ | Hope | 62 % | 44 % | 41 % | 19 % |
| 72.5 % | ≈ 80′ | Tension | 70 % | 56 % | 59 % | 40 % |
| 77.5 % | ≈ 85′ | Tension | 75 % | 63 % | 70 % | 55 % |
| 82.5 % | ≈ 91′ | Tension | 73 % | 58 % | 69 % | 53 % |
| 87.5 % | ≈ 96′ | Tension | 80 % | 61 % | 75 % | 56 % |
| 92.5 % | ≈ 102′ | Sadness | 89 % | 78 % | 82 % | 73 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Mamma Roma. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tonino
Pasquale
Augusto
Lino
Begalo
Gennarino il Trovatore
Un Pompieretto
Un Pittoretto
A Client
The Bride
Details
- Directed by
- Pier Paolo Pasolini
- Written by
- Pier Paolo Pasolini
- Type
- Movies
- Released
- 1962
- Runtime
- 110 min
- Country
- Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Subscription
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