Black Angel
1946 · 81 min · Director: Roy William Neill
Show plot summary (may contain spoilers)
A falsely convicted man's wife, Catherine, and an alcoholic composer and pianist, Martin, team up in an attempt to clear her husband of the murder of a blonde singer, who is Martin's wife.
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Emotional fingerprint
Black Angel (1946) — Movie. Top emotional signals: Anticipation 30%, Tension 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anticipation30%
- Tension25%
- Sadness20%
- Empathy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anticipation, Tension, Sadness. Genres: Thriller, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anticipation, Tension and Sadness. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Emotional journey
- Tension
- Curiosity
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 37 % | 23 % | 27 % | 22 % |
| 7.5 % | ≈ 6′ | Sympathy | 43 % | 21 % | 24 % | 30 % |
| 12.5 % | ≈ 10′ | Sadness | 52 % | 31 % | 34 % | 34 % |
| 17.5 % | ≈ 14′ | Curiosity | 61 % | 50 % | 50 % | 44 % |
| 22.5 % | ≈ 18′ | Sympathy | 62 % | 50 % | 54 % | 50 % |
| 27.5 % | ≈ 22′ | Curiosity | 54 % | 35 % | 51 % | 44 % |
| 32.5 % | ≈ 26′ | Sympathy | 53 % | 35 % | 51 % | 43 % |
| 37.5 % | ≈ 30′ | Curiosity | 58 % | 48 % | 58 % | 39 % |
| 42.5 % | ≈ 34′ | Curiosity | 55 % | 43 % | 55 % | 23 % |
| 47.5 % | ≈ 38′ | Curiosity | 48 % | 24 % | 36 % | 18 % |
| 52.5 % | ≈ 43′ | Sympathy | 50 % | 16 % | 25 % | 29 % |
| 57.5 % | ≈ 47′ | Sympathy | 51 % | 25 % | 34 % | 31 % |
| 62.5 % | ≈ 51′ | Curiosity | 53 % | 41 % | 48 % | 24 % |
| 67.5 % | ≈ 55′ | Tension | 63 % | 60 % | 56 % | 23 % |
| 72.5 % | ≈ 59′ | Tension | 74 % | 65 % | 51 % | 39 % |
| 77.5 % | ≈ 63′ | Sadness | 77 % | 56 % | 45 % | 55 % |
| 82.5 % | ≈ 67′ | Curiosity | 78 % | 63 % | 61 % | 54 % |
| 87.5 % | ≈ 71′ | Tension | 84 % | 80 % | 71 % | 55 % |
| 92.5 % | ≈ 75′ | Tension | 89 % | 86 % | 60 % | 63 % |
| 97.5 % | ≈ 79′ | Relief | 89 % | 83 % | 50 % | 67 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Millie
Kirk Bennett
George Mitchell
Dancer
Dancer
Madame (Uncredited)
Specialty Dancer (Uncredited)
Details
- Directed by
- Roy William Neill
- Written by
- Cornell Woolrich, Roy Chanslor
- Type
- Movies
- Released
- 1946
- Runtime
- 81 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anticipation
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





