Yankee Doodle Dandy
1942 · 126 min · Director: Michael Curtiz
Show plot summary (may contain spoilers)
A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
Emotional fingerprint
Yankee Doodle Dandy (1942) — Movie. Top emotional signals: Inspiration 30%, Humor 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration30%
- Humor25%
- Nostalgia20%
- Joy15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Humor, Nostalgia. Genres: Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Humor and Nostalgia. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Nostalgia
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 37 % | 28 % | 17 % | 0 % |
| 7.5 % | ≈ 9′ | Joy | 43 % | 33 % | 25 % | 4 % |
| 12.5 % | ≈ 16′ | Humor | 43 % | 25 % | 23 % | 11 % |
| 17.5 % | ≈ 22′ | Humor | 40 % | 20 % | 19 % | 11 % |
| 22.5 % | ≈ 28′ | Humor | 39 % | 24 % | 19 % | 8 % |
| 27.5 % | ≈ 35′ | Humor | 36 % | 21 % | 15 % | 10 % |
| 32.5 % | ≈ 41′ | Humor | 36 % | 18 % | 10 % | 10 % |
| 37.5 % | ≈ 47′ | Humor | 40 % | 25 % | 8 % | 6 % |
| 42.5 % | ≈ 54′ | Joy | 48 % | 38 % | 21 % | 4 % |
| 47.5 % | ≈ 60′ | Love | 50 % | 36 % | 38 % | 3 % |
| 52.5 % | ≈ 66′ | Humor | 49 % | 31 % | 41 % | 4 % |
| 57.5 % | ≈ 72′ | Love | 51 % | 34 % | 39 % | 5 % |
| 62.5 % | ≈ 79′ | Humor | 50 % | 36 % | 29 % | 8 % |
| 67.5 % | ≈ 85′ | Joy | 54 % | 40 % | 38 % | 14 % |
| 72.5 % | ≈ 91′ | Love | 59 % | 35 % | 44 % | 21 % |
| 77.5 % | ≈ 98′ | Sadness | 60 % | 24 % | 28 % | 39 % |
| 82.5 % | ≈ 104′ | Sadness | 66 % | 18 % | 28 % | 60 % |
| 87.5 % | ≈ 110′ | Nostalgia | 63 % | 18 % | 34 % | 55 % |
| 92.5 % | ≈ 117′ | Humor | 55 % | 32 % | 29 % | 29 % |
| 97.5 % | ≈ 123′ | Joy | 58 % | 50 % | 23 % | 12 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
George M. Cohan, as a boy of 13
Eddie Foy
Albee
Madame Bartholdi
Josie Cohan, as a girl of 12
The President
Details
- Directed by
- Michael Curtiz
- Written by
- Julius J. Epstein, Robert Buckner, Edmund Joseph
- Type
- Movies
- Released
- 1942
- Runtime
- 126 min
- Country
- United States of America
- Ratings
- Feels mostly
- Inspiration
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
