Good Morning
1959 · 94 min · Director: Yasujirō Ozu
Show plot summary (may contain spoilers)
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Emotional fingerprint
Good Morning (1959) — Movie. Top emotional signals: Humor 35%, Smile 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Love. Genres: Comedy, Drama, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Love. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sympathy
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 25 % | 23 % | 0 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 33 % | 31 % | 1 % | 5 % |
| 12.5 % | ≈ 12′ | Humor | 40 % | 37 % | 3 % | 5 % |
| 17.5 % | ≈ 16′ | Humor | 44 % | 42 % | 1 % | 6 % |
| 22.5 % | ≈ 21′ | Humor | 44 % | 39 % | 2 % | 6 % |
| 27.5 % | ≈ 26′ | Tension | 43 % | 34 % | 7 % | 4 % |
| 32.5 % | ≈ 31′ | Humor | 44 % | 33 % | 16 % | 3 % |
| 37.5 % | ≈ 35′ | Relief | 48 % | 30 % | 20 % | 4 % |
| 42.5 % | ≈ 40′ | Sympathy | 54 % | 35 % | 9 % | 4 % |
| 47.5 % | ≈ 45′ | Humor | 54 % | 46 % | 0 % | 5 % |
| 52.5 % | ≈ 49′ | Humor | 46 % | 44 % | 1 % | 4 % |
| 57.5 % | ≈ 54′ | Humor | 41 % | 37 % | 3 % | 2 % |
| 62.5 % | ≈ 59′ | Humor | 41 % | 36 % | 1 % | 2 % |
| 67.5 % | ≈ 63′ | Humor | 40 % | 36 % | 3 % | 5 % |
| 72.5 % | ≈ 68′ | Humor | 40 % | 39 % | 8 % | 8 % |
| 77.5 % | ≈ 73′ | Humor | 44 % | 38 % | 20 % | 13 % |
| 82.5 % | ≈ 78′ | Relief | 46 % | 30 % | 33 % | 20 % |
| 87.5 % | ≈ 82′ | Relief | 53 % | 28 % | 41 % | 29 % |
| 92.5 % | ≈ 87′ | Joy | 62 % | 41 % | 41 % | 42 % |
| 97.5 % | ≈ 92′ | Humor | 61 % | 52 % | 30 % | 39 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Good Morning. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Isamu Hayashi
Toyoko Tomizawa
Akira Maruyama
The Security Bell Man
Policeman
Details
- Directed by
- Yasujirō Ozu
- Written by
- Yasujirō Ozu, Kōgo Noda
- Type
- Movies
- Released
- 1959
- Runtime
- 94 min
- Country
- Japan
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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