The Last Shark
1981 · 88 min · Director: Enzo G. Castellari, Enzo G. Castellari
Show plot summary (may contain spoilers)
When a 35-foot great white shark begins to wreak havoc on a seaside town, the mayor, not wanting to endanger his gubernatorial campaign, declines to act, so a local shark hunter and horror author band together to stop the beast.
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Emotional fingerprint
The Last Shark (1981) — Movie. Top emotional signals: Fear 35%, Tension 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Tension25%
- Excitement20%
- Anxiety15%
- Relief5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Excitement. Genres: Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Excitement. Its IMDb rating of 4.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Not enough subtitle evidence | 21 % | 8 % | 5 % | 0 % |
| 7.5 % | ≈ 7′ | Tension | 31 % | 25 % | 15 % | 5 % |
| 12.5 % | ≈ 11′ | Tension | 46 % | 44 % | 28 % | 14 % |
| 17.5 % | ≈ 15′ | Tension | 56 % | 54 % | 35 % | 21 % |
| 22.5 % | ≈ 20′ | Tension | 59 % | 57 % | 41 % | 22 % |
| 27.5 % | ≈ 24′ | Tension | 54 % | 51 % | 40 % | 13 % |
| 32.5 % | ≈ 29′ | Tension | 48 % | 45 % | 30 % | 5 % |
| 37.5 % | ≈ 33′ | Tension | 61 % | 58 % | 41 % | 4 % |
| 42.5 % | ≈ 37′ | Tension | 70 % | 68 % | 54 % | 11 % |
| 47.5 % | ≈ 42′ | Tension | 59 % | 56 % | 40 % | 13 % |
| 52.5 % | ≈ 46′ | Tension | 58 % | 56 % | 37 % | 7 % |
| 57.5 % | ≈ 51′ | Tension | 74 % | 73 % | 58 % | 10 % |
| 62.5 % | ≈ 55′ | Tension | 85 % | 75 % | 61 % | 36 % |
| 67.5 % | ≈ 59′ | Sadness | 86 % | 60 % | 40 % | 63 % |
| 72.5 % | ≈ 64′ | Empathy | 81 % | 54 % | 33 % | 56 % |
| 77.5 % | ≈ 68′ | Tension | 71 % | 61 % | 41 % | 24 % |
| 82.5 % | ≈ 73′ | Tension | 65 % | 64 % | 42 % | 8 % |
| 87.5 % | ≈ 77′ | Tension | 71 % | 70 % | 53 % | 9 % |
| 92.5 % | ≈ 81′ | Tension | 81 % | 68 % | 57 % | 21 % |
| 97.5 % | ≈ 86′ | Relief | 81 % | 47 % | 37 % | 34 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Gloria Benton
Bob Martin (as Timothy Brent)
Ned
Chris Olsen
Cameraman
Helicopter Pilot
Matt Rosen (uncredited)
Fisherman (uncredited)
Details
- Directed by
- Enzo G. Castellari, Enzo G. Castellari
- Written by
- Vincenzo Mannino, Ugo Tucci, Marc Princi
- Type
- Movies
- Released
- 1981
- Runtime
- 88 min
- Country
- Italy
- Genres
- Horror
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





