Apache
1954 · 87 min · Director: Robert Aldrich
Show plot summary (may contain spoilers)
Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.
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Emotional fingerprint
Apache (1954) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Tension25%
- Fear20%
- Anger15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Fear. Genres: Action, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 73 % | 60 % | 58 % | 5 % |
| 7.5 % | ≈ 7′ | Empathy | 64 % | 46 % | 50 % | 9 % |
| 12.5 % | ≈ 11′ | Tension | 54 % | 43 % | 39 % | 18 % |
| 17.5 % | ≈ 15′ | Empathy | 56 % | 42 % | 46 % | 30 % |
| 22.5 % | ≈ 20′ | Hope | 57 % | 30 % | 53 % | 39 % |
| 27.5 % | ≈ 24′ | Empathy | 58 % | 35 % | 49 % | 30 % |
| 32.5 % | ≈ 28′ | Tension | 58 % | 50 % | 41 % | 15 % |
| 37.5 % | ≈ 33′ | Tension | 57 % | 55 % | 29 % | 10 % |
| 42.5 % | ≈ 37′ | Tension | 70 % | 69 % | 30 % | 8 % |
| 47.5 % | ≈ 41′ | Tension | 80 % | 75 % | 51 % | 6 % |
| 52.5 % | ≈ 46′ | Empathy | 79 % | 69 % | 64 % | 13 % |
| 57.5 % | ≈ 50′ | Tension | 78 % | 63 % | 60 % | 25 % |
| 62.5 % | ≈ 54′ | Love | 75 % | 51 % | 56 % | 44 % |
| 67.5 % | ≈ 59′ | Hope | 70 % | 46 % | 55 % | 49 % |
| 72.5 % | ≈ 63′ | Sadness | 66 % | 44 % | 53 % | 43 % |
| 77.5 % | ≈ 67′ | Hope | 61 % | 38 % | 40 % | 50 % |
| 82.5 % | ≈ 72′ | Hope | 61 % | 44 % | 40 % | 48 % |
| 87.5 % | ≈ 76′ | Empathy | 71 % | 64 % | 54 % | 34 % |
| 92.5 % | ≈ 80′ | Tension | 76 % | 59 % | 49 % | 43 % |
| 97.5 % | ≈ 85′ | Hope | 75 % | 32 % | 40 % | 62 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Indian Boy (uncredited)
Teenage Bully in Street (uncredited)
Loafing Trooper (uncredited)
Details
- Directed by
- Robert Aldrich
- Written by
- James R. Webb, Paul Wellman
- Type
- Movies
- Released
- 1954
- Runtime
- 87 min
- Country
- United States of America
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





