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The Girl with the Red Scarf

1977 · 86 min · Director: Atıf Yılmaz ★ IMDb 8.4 · 18,443 ratings

Show plot summary (may contain spoilers)

Asya, a peasant girl, marries İlyas, a truck driver. The couple, who love each other very much, are separated when İlyas cheats on her, and their epic love story comes to an unexpected end. After that, Asya takes her son and wanders away, not knowing where she is going, until a familiar hand reaches out to help her selflessly.

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Emotional fingerprint

The Girl with the Red Scarf (1977) — Movie. Top emotional signals: Melancholy 35%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%
  2. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Melancholy, Love, Empathy. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Melancholy, Love and Empathy. Its IMDb rating of 8.4/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 75/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Empathy
  • Love
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Sadness

Dominant emotion: Empathy

Empathy
Love
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityEmpathyLoveSadness
2.5 %≈ 2′Tension40 %15 %13 %7 %
7.5 %≈ 6′Love39 %16 %23 %9 %
12.5 %≈ 11′Love42 %21 %33 %13 %
17.5 %≈ 15′Love47 %29 %38 %19 %
22.5 %≈ 19′Love54 %33 %48 %23 %
27.5 %≈ 24′Love61 %31 %57 %19 %
32.5 %≈ 28′Love66 %32 %63 %11 %
37.5 %≈ 32′Love69 %43 %55 %19 %
42.5 %≈ 37′Sadness70 %56 %33 %45 %
47.5 %≈ 41′Sadness70 %64 %23 %59 %
52.5 %≈ 45′Empathy67 %65 %26 %54 %
57.5 %≈ 49′Empathy62 %64 %28 %46 %
62.5 %≈ 54′Empathy63 %64 %29 %48 %
67.5 %≈ 58′Sadness67 %65 %35 %57 %
72.5 %≈ 62′Sadness66 %61 %45 %55 %
77.5 %≈ 67′Love68 %61 %53 %51 %
82.5 %≈ 71′Sadness72 %65 %55 %55 %
87.5 %≈ 75′Love69 %61 %50 %46 %
92.5 %≈ 80′Tension72 %64 %51 %44 %
97.5 %≈ 84′Love80 %73 %63 %55 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

Kİ
Kadir İnanır

AM
Ahmet Mekin

HT
Hülya Tuğlu

NN
Nurhan Nur

CS
Cengiz Sezici

Eİ
Elif İnci

PD
Perihan Doygun

MY
Mehmet Yigenoglu

EB
Erol Batıbeki

TE
Taci Ersan

GG
Günay Güner

EE
Erkan Esenboga

Details

Directed by
Atıf Yılmaz
Written by
Ali Özgentürk, Chinghiz Aitmatov
Type
Movies
Released
1977
Runtime
86 min
Country
Turkey
Genres
Drama, Romance
Ratings
★ IMDb 8.4 · 18,443 ratings
Feels mostly
Melancholy
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.