2036 Origin Unknown
2018 · 94 min · Director: Hasraf Dulull
Show plot summary (may contain spoilers)
After the first manned mission to Mars ends in a deadly crash, mission controller Mackenzie 'Mack' Wilson assists an artificial intelligence system, A.R.T.I. Their investigation uncovers a mysterious object under the surface of Mars that could change the future of our planet as we know it.
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Emotional fingerprint
2036 Origin Unknown (2018) — Movie. Top emotional signals: Curiosity 30%, Anxiety 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Anxiety, Awe. Genres: Thriller, Mystery, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Anxiety and Awe. Its IMDb rating of 4.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Awe
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Surprise
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Awe | 53 % | 37 % | 38 % | 15 % |
| 7.5 % | ≈ 7′ | Tension | 61 % | 38 % | 53 % | 26 % |
| 12.5 % | ≈ 12′ | Tension | 59 % | 38 % | 54 % | 19 % |
| 17.5 % | ≈ 16′ | Tension | 59 % | 45 % | 51 % | 4 % |
| 22.5 % | ≈ 21′ | Curiosity | 63 % | 60 % | 46 % | 0 % |
| 27.5 % | ≈ 26′ | Curiosity | 65 % | 68 % | 45 % | 0 % |
| 32.5 % | ≈ 31′ | Curiosity | 68 % | 66 % | 56 % | 0 % |
| 37.5 % | ≈ 35′ | Curiosity | 65 % | 64 % | 59 % | 4 % |
| 42.5 % | ≈ 40′ | Curiosity | 65 % | 53 % | 45 % | 26 % |
| 47.5 % | ≈ 45′ | Sadness | 71 % | 46 % | 34 % | 44 % |
| 52.5 % | ≈ 49′ | Surprise | 75 % | 63 % | 45 % | 34 % |
| 57.5 % | ≈ 54′ | Curiosity | 74 % | 76 % | 56 % | 23 % |
| 62.5 % | ≈ 59′ | Curiosity | 74 % | 70 % | 57 % | 13 % |
| 67.5 % | ≈ 63′ | Tension | 77 % | 60 % | 69 % | 13 % |
| 72.5 % | ≈ 68′ | Tension | 83 % | 56 % | 80 % | 26 % |
| 77.5 % | ≈ 73′ | Tension | 89 % | 44 % | 81 % | 48 % |
| 82.5 % | ≈ 78′ | Sadness | 90 % | 40 % | 71 % | 71 % |
| 87.5 % | ≈ 82′ | Sadness | 84 % | 60 % | 48 % | 61 % |
| 92.5 % | ≈ 87′ | Awe | 75 % | 66 % | 25 % | 30 % |
| 97.5 % | ≈ 92′ | Awe | 67 % | 55 % | 20 % | 18 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jian Lin (voice)
Details
- Directed by
- Hasraf Dulull
- Written by
- Hasraf Dulull, Gary Hall
- Type
- Movies
- Released
- 2018
- Runtime
- 94 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.



