Guns of the Magnificent Seven
1969 · 105 min · Director: Paul Wendkos
Show plot summary (may contain spoilers)
When Quintero, a Mexican revolutionary leader, is left to rot in jail by the forces of President Diaz, it's up to his subordinate, Max, to bust him out. With $600 in hand, he crosses the border into America and hires Chris Adams, a mercenary of considerable skill, who uses the rest of the cash on more hired guns. After the team is rounded out by experts on close-combat fighting, explosives, and knife-throwing, they set off to free Quintero.
Emotional fingerprint
Guns of the Magnificent Seven (1969) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Tension25%
- Inspiration20%
- Fear15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Inspiration. Genres: Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Inspiration. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 53 % | 48 % | 43 % | 27 % |
| 7.5 % | ≈ 8′ | Sympathy | 65 % | 60 % | 50 % | 36 % |
| 12.5 % | ≈ 13′ | Tension | 64 % | 56 % | 35 % | 23 % |
| 17.5 % | ≈ 18′ | Humor | 55 % | 39 % | 18 % | 5 % |
| 22.5 % | ≈ 24′ | Humor | 51 % | 31 % | 23 % | 8 % |
| 27.5 % | ≈ 29′ | Sympathy | 49 % | 34 % | 36 % | 20 % |
| 32.5 % | ≈ 34′ | Sympathy | 45 % | 32 % | 41 % | 29 % |
| 37.5 % | ≈ 39′ | Sympathy | 50 % | 39 % | 48 % | 36 % |
| 42.5 % | ≈ 45′ | Sympathy | 59 % | 50 % | 53 % | 39 % |
| 47.5 % | ≈ 50′ | Tension | 57 % | 49 % | 48 % | 30 % |
| 52.5 % | ≈ 55′ | Sympathy | 61 % | 50 % | 54 % | 36 % |
| 57.5 % | ≈ 60′ | Sympathy | 69 % | 61 % | 55 % | 46 % |
| 62.5 % | ≈ 66′ | Tension | 69 % | 65 % | 40 % | 33 % |
| 67.5 % | ≈ 71′ | Hope | 60 % | 51 % | 32 % | 16 % |
| 72.5 % | ≈ 76′ | Humor | 55 % | 41 % | 43 % | 28 % |
| 77.5 % | ≈ 81′ | Sympathy | 60 % | 48 % | 46 % | 39 % |
| 82.5 % | ≈ 87′ | Tension | 58 % | 50 % | 30 % | 25 % |
| 87.5 % | ≈ 92′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 92.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 102′ | Sadness | 65 % | 40 % | 55 % | 60 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Guns of the Magnificent Seven. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
P.J.
Tina
Lieutenant Prensa
Manuel (uncredited)
Cesar (uncredited)
Details
- Directed by
- Paul Wendkos
- Written by
- Herman Hoffman
- Type
- Movies
- Released
- 1969
- Runtime
- 105 min
- Country
- United States of America
- Genres
- Western
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
