Jane Eyre
1943 · 97 min · Director: Robert Stevenson
Show plot summary (may contain spoilers)
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?
Emotional fingerprint
Jane Eyre (1943) — Movie. Top emotional signals: Love 35%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Anxiety, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Anxiety and Sadness. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Empathy | 68 % | 68 % | 50 % | 0 % |
| 7.5 % | ≈ 7′ | Empathy | 71 % | 73 % | 55 % | 5 % |
| 12.5 % | ≈ 12′ | Empathy | 75 % | 78 % | 64 % | 16 % |
| 17.5 % | ≈ 17′ | Sadness | 74 % | 74 % | 61 % | 18 % |
| 22.5 % | ≈ 22′ | Empathy | 59 % | 53 % | 33 % | 9 % |
| 27.5 % | ≈ 27′ | Curiosity | 45 % | 34 % | 11 % | 10 % |
| 32.5 % | ≈ 32′ | Curiosity | 45 % | 29 % | 11 % | 15 % |
| 37.5 % | ≈ 36′ | Curiosity | 49 % | 26 % | 13 % | 19 % |
| 42.5 % | ≈ 41′ | Curiosity | 56 % | 28 % | 16 % | 27 % |
| 47.5 % | ≈ 46′ | Tension | 65 % | 34 % | 23 % | 35 % |
| 52.5 % | ≈ 51′ | Curiosity | 61 % | 43 % | 29 % | 36 % |
| 57.5 % | ≈ 56′ | Empathy | 57 % | 45 % | 31 % | 35 % |
| 62.5 % | ≈ 61′ | Curiosity | 68 % | 40 % | 29 % | 35 % |
| 67.5 % | ≈ 65′ | Tension | 69 % | 38 % | 29 % | 32 % |
| 72.5 % | ≈ 70′ | Love | 63 % | 44 % | 38 % | 43 % |
| 77.5 % | ≈ 75′ | Love | 74 % | 56 % | 55 % | 60 % |
| 82.5 % | ≈ 80′ | Tension | 86 % | 65 % | 69 % | 64 % |
| 87.5 % | ≈ 85′ | Sadness | 84 % | 69 % | 75 % | 54 % |
| 92.5 % | ≈ 90′ | Sadness | 81 % | 69 % | 71 % | 49 % |
| 97.5 % | ≈ 95′ | Love | 85 % | 68 % | 62 % | 63 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Jane Eyre. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Woman at Party (uncredited)
Details
- Directed by
- Robert Stevenson
- Written by
- Charlotte Brontë, Aldous Huxley, John Houseman, Robert Stevenson, John Houseman
- Type
- Movies
- Released
- 1943
- Runtime
- 97 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
