Burnt Offerings
1976 · 116 min · Director: Dan Curtis
Show plot summary (may contain spoilers)
A couple and their twelve-year-old son move into a giant house for the summer where things aren’t quite what they seem. Every time someone gets hurt on the grounds, the beat-up house seems to repair itself…
Emotional fingerprint
Burnt Offerings (1976) — Movie. Top emotional signals: Anxiety 35%, Fear 30%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety35%
- Fear30%
- Tension20%
- Disturbing10%
- Sadness5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Tension. Genres: Thriller, Mystery, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Tension. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 42 % | 14 % | 52 % | 4 % |
| 7.5 % | ≈ 9′ | Curiosity | 43 % | 18 % | 51 % | 5 % |
| 12.5 % | ≈ 15′ | Curiosity | 43 % | 26 % | 49 % | 8 % |
| 17.5 % | ≈ 20′ | Curiosity | 43 % | 27 % | 44 % | 9 % |
| 22.5 % | ≈ 26′ | Joy | 41 % | 25 % | 36 % | 10 % |
| 27.5 % | ≈ 32′ | Curiosity | 48 % | 39 % | 29 % | 26 % |
| 32.5 % | ≈ 38′ | Tension | 56 % | 53 % | 26 % | 39 % |
| 37.5 % | ≈ 44′ | Curiosity | 53 % | 46 % | 30 % | 27 % |
| 42.5 % | ≈ 49′ | Tension | 46 % | 41 % | 31 % | 18 % |
| 47.5 % | ≈ 55′ | Tension | 50 % | 48 % | 30 % | 28 % |
| 52.5 % | ≈ 61′ | Tension | 59 % | 56 % | 33 % | 41 % |
| 57.5 % | ≈ 67′ | Tension | 60 % | 59 % | 39 % | 36 % |
| 62.5 % | ≈ 73′ | Tension | 63 % | 63 % | 40 % | 34 % |
| 67.5 % | ≈ 78′ | Tension | 71 % | 66 % | 34 % | 39 % |
| 72.5 % | ≈ 84′ | Sadness | 76 % | 66 % | 31 % | 40 % |
| 77.5 % | ≈ 90′ | Tension | 75 % | 70 % | 34 % | 50 % |
| 82.5 % | ≈ 96′ | Tension | 73 % | 73 % | 31 % | 59 % |
| 87.5 % | ≈ 102′ | Tension | 69 % | 69 % | 31 % | 54 % |
| 92.5 % | ≈ 107′ | Tension | 66 % | 65 % | 43 % | 49 % |
| 97.5 % | ≈ 113′ | Tension | 73 % | 70 % | 52 % | 58 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Dr. Ross
Rocker (uncredited)
Details
- Directed by
- Dan Curtis
- Written by
- Dan Curtis, William F. Nolan, Robert Marasco
- Type
- Movies
- Released
- 1976
- Runtime
- 116 min
- Country
- Italy, United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Subscription
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
