Scarlet Street
1945 · 103 min · Director: Fritz Lang
Show plot summary (may contain spoilers)
Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.
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Emotional fingerprint
Scarlet Street (1945) — Movie. Top emotional signals: Sadness 30%, Guilt 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Guilt, Empathy. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Guilt and Empathy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 33 % | 20 % | 8 % | 8 % |
| 7.5 % | ≈ 8′ | Curiosity | 36 % | 24 % | 14 % | 15 % |
| 12.5 % | ≈ 13′ | Curiosity | 36 % | 24 % | 14 % | 16 % |
| 17.5 % | ≈ 18′ | Curiosity | 37 % | 26 % | 15 % | 21 % |
| 22.5 % | ≈ 23′ | Sympathy | 44 % | 36 % | 23 % | 29 % |
| 27.5 % | ≈ 28′ | Sympathy | 48 % | 45 % | 33 % | 30 % |
| 32.5 % | ≈ 33′ | Sympathy | 46 % | 45 % | 34 % | 34 % |
| 37.5 % | ≈ 39′ | Sympathy | 45 % | 41 % | 26 % | 39 % |
| 42.5 % | ≈ 44′ | Sympathy | 48 % | 43 % | 25 % | 43 % |
| 47.5 % | ≈ 49′ | Sympathy | 50 % | 40 % | 25 % | 43 % |
| 52.5 % | ≈ 54′ | Curiosity | 49 % | 31 % | 19 % | 38 % |
| 57.5 % | ≈ 59′ | Curiosity | 48 % | 32 % | 19 % | 38 % |
| 62.5 % | ≈ 64′ | Sympathy | 50 % | 41 % | 26 % | 44 % |
| 67.5 % | ≈ 70′ | Sympathy | 55 % | 44 % | 29 % | 49 % |
| 72.5 % | ≈ 75′ | Curiosity | 59 % | 39 % | 25 % | 53 % |
| 77.5 % | ≈ 80′ | Tension | 68 % | 39 % | 31 % | 64 % |
| 82.5 % | ≈ 85′ | Tension | 76 % | 44 % | 45 % | 73 % |
| 87.5 % | ≈ 90′ | Tension | 79 % | 49 % | 55 % | 73 % |
| 92.5 % | ≈ 95′ | Disturbing | 84 % | 63 % | 70 % | 66 % |
| 97.5 % | ≈ 100′ | Sadness | 87 % | 75 % | 82 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Dellarowe
Critic at Gallery (uncredited)
Barney (uncredited)
Principal Keeper (uncredited)
Detective (uncredited)
Penny - Bartender (uncredited)
Joe Williams, Morning World (uncredited)
Details
- Directed by
- Fritz Lang
- Written by
- Dudley Nichols, Georges de La Fouchardière
- Type
- Movies
- Released
- 1945
- Runtime
- 103 min
- Country
- United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
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