Family Life
1971 · 108 min · Director: Ken Loach
Show plot summary (may contain spoilers)
A young woman, Janice, is living with her restrictive and conservative parents, who lead a dull working-class life and consider their daughter to be “misbehaving” whenever she’s trying to find her own way in life.
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Emotional fingerprint
Family Life (1971) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Anxiety. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 32 % | 32 % | 17 % | 22 % |
| 7.5 % | ≈ 8′ | Empathy | 45 % | 44 % | 29 % | 35 % |
| 12.5 % | ≈ 14′ | Empathy | 53 % | 49 % | 38 % | 41 % |
| 17.5 % | ≈ 19′ | Sadness | 53 % | 48 % | 41 % | 39 % |
| 22.5 % | ≈ 24′ | Empathy | 63 % | 57 % | 49 % | 51 % |
| 27.5 % | ≈ 30′ | Tension | 64 % | 60 % | 46 % | 54 % |
| 32.5 % | ≈ 35′ | Empathy | 56 % | 55 % | 40 % | 39 % |
| 37.5 % | ≈ 41′ | Empathy | 57 % | 57 % | 41 % | 39 % |
| 42.5 % | ≈ 46′ | Empathy | 63 % | 60 % | 44 % | 51 % |
| 47.5 % | ≈ 51′ | Disturbing | 60 % | 54 % | 40 % | 53 % |
| 52.5 % | ≈ 57′ | Empathy | 53 % | 45 % | 31 % | 46 % |
| 57.5 % | ≈ 62′ | Tension | 56 % | 48 % | 32 % | 54 % |
| 62.5 % | ≈ 68′ | Tension | 64 % | 56 % | 43 % | 63 % |
| 67.5 % | ≈ 73′ | Empathy | 66 % | 63 % | 51 % | 59 % |
| 72.5 % | ≈ 78′ | Empathy | 66 % | 63 % | 51 % | 53 % |
| 77.5 % | ≈ 84′ | Empathy | 69 % | 64 % | 50 % | 56 % |
| 82.5 % | ≈ 89′ | Empathy | 77 % | 71 % | 58 % | 69 % |
| 87.5 % | ≈ 95′ | Tension | 84 % | 76 % | 68 % | 73 % |
| 92.5 % | ≈ 100′ | Sadness | 87 % | 80 % | 77 % | 68 % |
| 97.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mr. Baildon
Dr. Caswell
Details
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