Don Camillo in Moscow
1965 · 109 min · Director: Luigi Comencini
Show plot summary (may contain spoilers)
Priest Don Camillo blackmails his friendly rival Peppone into letting him join a Communist delegation visiting the Soviet Union.
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Emotional fingerprint
Don Camillo in Moscow (1965) — Movie. Top emotional signals: Humor 45%, Nostalgia 20%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Nostalgia20%
- Love15%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Nostalgia, Love. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Nostalgia and Love. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 45 % | 8 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 54 % | 54 % | 6 % | 5 % |
| 12.5 % | ≈ 14′ | Humor | 59 % | 55 % | 14 % | 8 % |
| 17.5 % | ≈ 19′ | Humor | 54 % | 44 % | 31 % | 9 % |
| 22.5 % | ≈ 25′ | Humor | 53 % | 44 % | 34 % | 11 % |
| 27.5 % | ≈ 30′ | Humor | 60 % | 57 % | 24 % | 10 % |
| 32.5 % | ≈ 35′ | Humor | 66 % | 66 % | 20 % | 10 % |
| 37.5 % | ≈ 41′ | Humor | 65 % | 65 % | 15 % | 13 % |
| 42.5 % | ≈ 46′ | Humor | 61 % | 61 % | 8 % | 10 % |
| 47.5 % | ≈ 52′ | Humor | 57 % | 56 % | 6 % | 5 % |
| 52.5 % | ≈ 57′ | Humor | 55 % | 51 % | 9 % | 1 % |
| 57.5 % | ≈ 63′ | Humor | 56 % | 51 % | 9 % | 5 % |
| 62.5 % | ≈ 68′ | Humor | 53 % | 46 % | 14 % | 18 % |
| 67.5 % | ≈ 74′ | Relief | 51 % | 30 % | 34 % | 24 % |
| 72.5 % | ≈ 79′ | Sadness | 60 % | 25 % | 51 % | 19 % |
| 77.5 % | ≈ 84′ | Humor | 64 % | 38 % | 55 % | 19 % |
| 82.5 % | ≈ 90′ | Empathy | 64 % | 40 % | 56 % | 21 % |
| 87.5 % | ≈ 95′ | Empathy | 61 % | 36 % | 49 % | 18 % |
| 92.5 % | ≈ 101′ | Humor | 56 % | 45 % | 30 % | 20 % |
| 97.5 % | ≈ 106′ | Humor | 57 % | 55 % | 18 % | 27 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nadia
Un camarade
Ivan
Le faux russe
La femme d'Ivan
Details
- Directed by
- Luigi Comencini
- Written by
- Leonardo Benvenuti, Piero De Bernardi, Giovanni Guareschi
- Type
- Movies
- Released
- 1965
- Runtime
- 109 min
- Country
- France, Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





