The House
2022 · 89 min · Director: Anissa Bonnefont
Show plot summary (may contain spoilers)
Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?
Emotional fingerprint
The House (2022) — Movie. Top emotional signals: Fear 35%, Anxiety 25%, Tension 25%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Anxiety, Tension. Genres: Comedy, Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Anxiety and Tension. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 32 % | 18 % | 17 % | 2 % |
| 7.5 % | ≈ 7′ | Tension | 35 % | 21 % | 14 % | 4 % |
| 12.5 % | ≈ 11′ | Empathy | 41 % | 34 % | 20 % | 5 % |
| 17.5 % | ≈ 16′ | Empathy | 51 % | 44 % | 28 % | 15 % |
| 22.5 % | ≈ 20′ | Tension | 55 % | 43 % | 23 % | 24 % |
| 27.5 % | ≈ 24′ | Empathy | 49 % | 43 % | 26 % | 15 % |
| 32.5 % | ≈ 29′ | Sadness | 45 % | 40 % | 31 % | 10 % |
| 37.5 % | ≈ 33′ | Humor | 44 % | 29 % | 18 % | 10 % |
| 42.5 % | ≈ 38′ | Tension | 41 % | 25 % | 13 % | 6 % |
| 47.5 % | ≈ 42′ | Humor | 39 % | 28 % | 16 % | 4 % |
| 52.5 % | ≈ 47′ | Humor | 40 % | 30 % | 10 % | 1 % |
| 57.5 % | ≈ 51′ | Empathy | 45 % | 38 % | 10 % | 0 % |
| 62.5 % | ≈ 56′ | Empathy | 49 % | 45 % | 23 % | 1 % |
| 67.5 % | ≈ 60′ | Empathy | 48 % | 46 % | 29 % | 4 % |
| 72.5 % | ≈ 65′ | Empathy | 49 % | 45 % | 25 % | 13 % |
| 77.5 % | ≈ 69′ | Tension | 63 % | 46 % | 24 % | 36 % |
| 82.5 % | ≈ 73′ | Tension | 80 % | 56 % | 38 % | 68 % |
| 87.5 % | ≈ 78′ | Disturbing | 88 % | 74 % | 60 % | 71 % |
| 92.5 % | ≈ 82′ | Empathy | 85 % | 82 % | 68 % | 48 % |
| 97.5 % | ≈ 87′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The House. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Madeleine
Hildie
Margaret
La dame
Lorna
Le Grec
La femme
La prefesseure de poterie
Boris
Details
- Directed by
- Anissa Bonnefont
- Written by
- Diastème, Anissa Bonnefont, Emma Becker
- Type
- Movies
- Released
- 2022
- Runtime
- 89 min
- Country
- Belgium, France
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
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