Crush
2022 · 93 min · Director: Sammi Cohen
Show plot summary (may contain spoilers)
When an aspiring young artist is forced to join her high school track team, she uses it as an opportunity to pursue the girl she's been harboring a long-time crush on. But she soon finds herself falling for an unexpected teammate and discovers what real love feels like.
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Emotional fingerprint
Crush (2022) — Movie. Top emotional signals: Happiness 30%, Love 25%, Humor 25%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Happiness30%
- Love25%
- Humor25%
- Anticipation10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Happiness, Love, Humor. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Happiness, Love and Humor. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 47 % | 17 % | 17 % | 47 % |
| 7.5 % | ≈ 7′ | Humor | 50 % | 20 % | 19 % | 50 % |
| 12.5 % | ≈ 12′ | Humor | 54 % | 19 % | 18 % | 53 % |
| 17.5 % | ≈ 16′ | Humor | 55 % | 13 % | 14 % | 53 % |
| 22.5 % | ≈ 21′ | Humor | 54 % | 13 % | 16 % | 53 % |
| 27.5 % | ≈ 26′ | Humor | 53 % | 16 % | 25 % | 53 % |
| 32.5 % | ≈ 30′ | Humor | 50 % | 23 % | 31 % | 49 % |
| 37.5 % | ≈ 35′ | Love | 48 % | 29 % | 36 % | 40 % |
| 42.5 % | ≈ 40′ | Joy | 50 % | 30 % | 38 % | 37 % |
| 47.5 % | ≈ 44′ | Humor | 51 % | 30 % | 28 % | 44 % |
| 52.5 % | ≈ 49′ | Humor | 54 % | 36 % | 25 % | 46 % |
| 57.5 % | ≈ 53′ | Love | 61 % | 53 % | 34 % | 38 % |
| 62.5 % | ≈ 58′ | Love | 63 % | 57 % | 31 % | 31 % |
| 67.5 % | ≈ 63′ | Humor | 61 % | 43 % | 24 % | 31 % |
| 72.5 % | ≈ 67′ | Tension | 63 % | 28 % | 20 % | 24 % |
| 77.5 % | ≈ 72′ | Sadness | 60 % | 24 % | 13 % | 23 % |
| 82.5 % | ≈ 77′ | Tension | 59 % | 29 % | 19 % | 31 % |
| 87.5 % | ≈ 81′ | Joy | 68 % | 46 % | 48 % | 37 % |
| 92.5 % | ≈ 86′ | Love | 75 % | 65 % | 66 % | 33 % |
| 97.5 % | ≈ 91′ | Joy | 70 % | 65 % | 63 % | 18 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Gabriela Campos
Tim
Chantal
Aya
Young Paige
Young Dillon
Young AJ
Young Gabriela
Erin Billings
Voting Booth Attendant
Stoner
Teacher
Announcer 1
Details
- Directed by
- Sammi Cohen
- Written by
- Kirsten King, Casey Rackham
- Type
- Movies
- Released
- 2022
- Runtime
- 93 min
- Country
- United States of America
- Ratings
- Feels mostly
- Happiness
- Data updated
Where to watch
Subscription
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





