feeldb

The Murderer Lives at Number 21

1942 · 83 min · Director: Henri-Georges Clouzot ★ IMDb 7.3 · 4,025 ratings

Show plot summary (may contain spoilers)

Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

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Emotional fingerprint

The Murderer Lives at Number 21 (1942) — Movie. Top emotional signals: Humor 30%, Curiosity 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor30%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Curiosity, Tension. Genres: Thriller, Comedy, Mystery. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Curiosity and Tension. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.

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Emotional journey

AI · from subtitles
  • Curiosity
  • Tension
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Relief

Curiosity
Tension
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityCuriosityTensionHumor
2.5 %≈ 2′Humor47 %25 %15 %47 %
7.5 %≈ 6′Humor48 %27 %19 %48 %
12.5 %≈ 10′Humor50 %25 %19 %50 %
17.5 %≈ 15′Humor57 %34 %25 %53 %
22.5 %≈ 19′Curiosity61 %49 %33 %51 %
27.5 %≈ 23′Humor57 %50 %29 %49 %
32.5 %≈ 27′Curiosity56 %53 %28 %41 %
37.5 %≈ 31′Curiosity57 %56 %27 %38 %
42.5 %≈ 35′Humor56 %49 %24 %46 %
47.5 %≈ 39′Humor58 %44 %32 %48 %
52.5 %≈ 44′Tension65 %53 %54 %34 %
57.5 %≈ 48′Tension71 %64 %63 %26 %
62.5 %≈ 52′Curiosity70 %68 %54 %35 %
67.5 %≈ 56′Curiosity66 %66 %45 %46 %
72.5 %≈ 60′Curiosity66 %66 %48 %43 %
77.5 %≈ 64′Curiosity66 %61 %50 %38 %
82.5 %≈ 68′Humor66 %51 %50 %44 %
87.5 %≈ 73′Tension75 %50 %68 %39 %
92.5 %≈ 77′Tension84 %53 %83 %33 %
97.5 %≈ 81′Relief83 %53 %80 %38 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

PF
Pierre Fresnay

SD
Suzy Delair

Mila Malou

JT
Jean Tissier

NR
Noël Roquevert

Dr. Linz

RG
René Génin

RG
René Génin

Alfred

JD
Jean Despeaux

MN
Marc Natol

HV
Huguette Vivier

OT
Odette Talazac

OT
Odette Talazac

Madame Point

M
Maximilienne

Miss Cuq

SS
Sylvette Saugé

Christiane

LF
Louis Florencie

Commissaire Monnet

AG
André Gabriello

Police Officer Pussot

RB
Raymond Bussières

Turelot

AB
Antoine Balpêtré

Albert (uncredited)

PB
Paul Barge

Ernest (uncredited)

LB
Léon Belières

Businessman (uncredited)

RB
René Blancard

Inspector Picard (uncredited)

LB
Lucien Blondeau

Police Prefect Edouard (uncredited)

Details

Written by
Henri-Georges Clouzot, Stanislas-André Steeman
Type
Movies
Released
1942
Runtime
83 min
Country
France
Ratings
★ IMDb 7.3 · 4,025 ratings
Feels mostly
Humor
Data updated

Where to watch

Also on

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.