Kidulthood
2006 · 91 min · Director: Menhaj Huda
Show plot summary (may contain spoilers)
A day in the life of a group of troubled 15-year-olds growing up in west London.
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Emotional fingerprint
Kidulthood (2006) — Movie. Top emotional signals: Anxiety 30%, Tension 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Tension25%
- Empathy20%
- Sadness15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Empathy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Empathy. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 37 % | 32 % | 22 % | 28 % |
| 7.5 % | ≈ 7′ | Disturbing | 50 % | 46 % | 33 % | 43 % |
| 12.5 % | ≈ 11′ | Tension | 54 % | 45 % | 35 % | 45 % |
| 17.5 % | ≈ 16′ | Sadness | 56 % | 39 % | 45 % | 41 % |
| 22.5 % | ≈ 20′ | Sympathy | 56 % | 44 % | 48 % | 36 % |
| 27.5 % | ≈ 25′ | Tension | 57 % | 53 % | 40 % | 44 % |
| 32.5 % | ≈ 30′ | Disturbing | 61 % | 54 % | 44 % | 55 % |
| 37.5 % | ≈ 34′ | Sympathy | 60 % | 50 % | 49 % | 56 % |
| 42.5 % | ≈ 39′ | Disturbing | 68 % | 56 % | 56 % | 64 % |
| 47.5 % | ≈ 43′ | Sadness | 63 % | 51 % | 51 % | 55 % |
| 52.5 % | ≈ 48′ | Sympathy | 46 % | 40 % | 34 % | 35 % |
| 57.5 % | ≈ 52′ | Tension | 46 % | 40 % | 34 % | 31 % |
| 62.5 % | ≈ 57′ | Sympathy | 52 % | 41 % | 41 % | 38 % |
| 67.5 % | ≈ 61′ | Disturbing | 68 % | 59 % | 50 % | 59 % |
| 72.5 % | ≈ 66′ | Disturbing | 79 % | 75 % | 61 % | 65 % |
| 77.5 % | ≈ 71′ | Sympathy | 65 % | 63 % | 56 % | 36 % |
| 82.5 % | ≈ 75′ | Sympathy | 55 % | 51 % | 46 % | 19 % |
| 87.5 % | ≈ 80′ | Hope | 71 % | 68 % | 58 % | 39 % |
| 92.5 % | ≈ 84′ | Tension | 88 % | 87 % | 75 % | 67 % |
| 97.5 % | ≈ 89′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Claire
Moony
Katie
Details
- Directed by
- Menhaj Huda
- Written by
- Noel Clarke, Noel Clarke
- Type
- Movies
- Released
- 2006
- Runtime
- 91 min
- Country
- United Kingdom
- Genres
- Drama
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Free
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





