Ecce Bombo
1978 · 103 min · Director: Nanni Moretti
Show plot summary (may contain spoilers)
Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.
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Emotional fingerprint
Ecce Bombo (1978) — Movie. Top emotional signals: Confusion 35%, Humor 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Humor, Anxiety. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Humor and Anxiety. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Melancholy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Melancholy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 47 % | 47 % | 12 % | 8 % |
| 7.5 % | ≈ 8′ | Humor | 44 % | 43 % | 20 % | 16 % |
| 12.5 % | ≈ 13′ | Melancholy | 45 % | 38 % | 35 % | 29 % |
| 17.5 % | ≈ 18′ | Melancholy | 48 % | 36 % | 34 % | 31 % |
| 22.5 % | ≈ 23′ | Humor | 45 % | 40 % | 20 % | 23 % |
| 27.5 % | ≈ 28′ | Humor | 44 % | 41 % | 25 % | 20 % |
| 32.5 % | ≈ 33′ | Melancholy | 46 % | 38 % | 40 % | 26 % |
| 37.5 % | ≈ 39′ | Melancholy | 48 % | 31 % | 44 % | 35 % |
| 42.5 % | ≈ 44′ | Melancholy | 48 % | 31 % | 38 % | 38 % |
| 47.5 % | ≈ 49′ | Humor | 45 % | 39 % | 25 % | 26 % |
| 52.5 % | ≈ 54′ | Humor | 41 % | 40 % | 20 % | 16 % |
| 57.5 % | ≈ 59′ | Melancholy | 41 % | 39 % | 25 % | 18 % |
| 62.5 % | ≈ 64′ | Humor | 44 % | 38 % | 30 % | 24 % |
| 67.5 % | ≈ 70′ | Melancholy | 43 % | 32 % | 34 % | 26 % |
| 72.5 % | ≈ 75′ | Humor | 40 % | 30 % | 35 % | 26 % |
| 77.5 % | ≈ 80′ | Melancholy | 45 % | 29 % | 41 % | 35 % |
| 82.5 % | ≈ 85′ | Melancholy | 49 % | 28 % | 45 % | 40 % |
| 87.5 % | ≈ 90′ | Melancholy | 45 % | 27 % | 40 % | 35 % |
| 92.5 % | ≈ 95′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Cesare
Reporter di TeleCalifornia
Vito
Studente
Studente
Francesca
Uomo occhialuto
Mario
Padre di Michele
Vecchio amico di Olga
Details
- Directed by
- Nanni Moretti
- Written by
- Nanni Moretti
- Type
- Movies
- Released
- 1978
- Runtime
- 103 min
- Country
- Italy
- Ratings
- Feels mostly
- Confusion
- Data updated
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