Son of Frankenstein
1939 · 99 min · Director: Rowland V. Lee
Show plot summary (may contain spoilers)
One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.
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Emotional fingerprint
Son of Frankenstein (1939) — Movie. Top emotional signals: Fear 40%, Tension 25%, Disturbing 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear40%
- Tension25%
- Disturbing15%
- Surprise10%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Disturbing. Genres: Horror, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 40 % | 28 % | 45 % | 17 % |
| 7.5 % | ≈ 7′ | Curiosity | 41 % | 29 % | 46 % | 19 % |
| 12.5 % | ≈ 12′ | Curiosity | 46 % | 38 % | 46 % | 26 % |
| 17.5 % | ≈ 17′ | Tension | 51 % | 48 % | 43 % | 38 % |
| 22.5 % | ≈ 22′ | Tension | 54 % | 50 % | 45 % | 41 % |
| 27.5 % | ≈ 27′ | Curiosity | 59 % | 54 % | 56 % | 43 % |
| 32.5 % | ≈ 32′ | Curiosity | 60 % | 55 % | 61 % | 43 % |
| 37.5 % | ≈ 37′ | Curiosity | 56 % | 49 % | 59 % | 38 % |
| 42.5 % | ≈ 42′ | Curiosity | 56 % | 48 % | 54 % | 35 % |
| 47.5 % | ≈ 47′ | Tension | 53 % | 46 % | 44 % | 30 % |
| 52.5 % | ≈ 52′ | Curiosity | 45 % | 38 % | 37 % | 23 % |
| 57.5 % | ≈ 57′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 62.5 % | ≈ 62′ | Tension | 63 % | 63 % | 43 % | 48 % |
| 67.5 % | ≈ 67′ | Tension | 60 % | 59 % | 40 % | 45 % |
| 72.5 % | ≈ 72′ | Tension | 63 % | 60 % | 36 % | 45 % |
| 77.5 % | ≈ 77′ | Tension | 64 % | 63 % | 34 % | 43 % |
| 82.5 % | ≈ 82′ | Tension | 63 % | 63 % | 36 % | 39 % |
| 87.5 % | ≈ 87′ | Tension | 66 % | 66 % | 43 % | 43 % |
| 92.5 % | ≈ 92′ | Tension | 75 % | 73 % | 36 % | 54 % |
| 97.5 % | ≈ 97′ | Relief | 80 % | 73 % | 23 % | 58 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Fritz
Frau Neumüller
Burgher
Burgher
Undetermined Role (uncredited)
Details
- Directed by
- Rowland V. Lee
- Written by
- Mary Shelley, Wyllis Cooper
- Type
- Movies
- Released
- 1939
- Runtime
- 99 min
- Country
- United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





