Cavalcade
1933 · 112 min · Director: Frank Lloyd
Show plot summary (may contain spoilers)
A cavalcade of English life from New Year's Eve 1899 until 1933 is seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic, and the Great War.
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Emotional fingerprint
Cavalcade (1933) — Movie. Top emotional signals: Sadness 30%, Nostalgia 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Nostalgia25%
- Melancholy20%
- Empathy15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Nostalgia, Melancholy. Genres: Drama, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Nostalgia and Melancholy. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 48 % | 14 % | 40 % | 23 % |
| 7.5 % | ≈ 8′ | Love | 58 % | 26 % | 50 % | 36 % |
| 12.5 % | ≈ 14′ | Love | 63 % | 39 % | 46 % | 46 % |
| 17.5 % | ≈ 20′ | Tension | 65 % | 34 % | 33 % | 43 % |
| 22.5 % | ≈ 25′ | Hope | 68 % | 17 % | 35 % | 21 % |
| 27.5 % | ≈ 31′ | Love | 65 % | 19 % | 40 % | 7 % |
| 32.5 % | ≈ 36′ | Sadness | 59 % | 36 % | 29 % | 17 % |
| 37.5 % | ≈ 42′ | Tension | 60 % | 45 % | 19 % | 43 % |
| 42.5 % | ≈ 48′ | Tension | 64 % | 41 % | 19 % | 50 % |
| 47.5 % | ≈ 53′ | Humor | 61 % | 25 % | 35 % | 29 % |
| 52.5 % | ≈ 59′ | Love | 68 % | 30 % | 49 % | 35 % |
| 57.5 % | ≈ 64′ | Sadness | 74 % | 53 % | 36 % | 57 % |
| 62.5 % | ≈ 70′ | Tension | 70 % | 45 % | 30 % | 63 % |
| 67.5 % | ≈ 76′ | Humor | 69 % | 31 % | 45 % | 56 % |
| 72.5 % | ≈ 81′ | Love | 73 % | 46 % | 63 % | 51 % |
| 77.5 % | ≈ 87′ | Love | 79 % | 68 % | 61 % | 48 % |
| 82.5 % | ≈ 92′ | Sadness | 81 % | 73 % | 35 % | 46 % |
| 87.5 % | ≈ 98′ | Sadness | 72 % | 63 % | 16 % | 43 % |
| 92.5 % | ≈ 104′ | Sadness | 69 % | 54 % | 32 % | 33 % |
| 97.5 % | ≈ 109′ | Love | 75 % | 50 % | 57 % | 30 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Margaret Harris
Annie
Joe Marryot
Edith Harris
Edward Marryot
Master Edwards
Master Joey
Young Fanny
Girl on Couch
Ronnie James
Details
- Directed by
- Frank Lloyd
- Written by
- Noël Coward, Reginald Berkeley
- Type
- Movies
- Released
- 1933
- Runtime
- 112 min
- Country
- United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





