Sick of Myself
2022 · 97 min · Director: Kristoffer Borgli
Show plot summary (may contain spoilers)
Increasingly overshadowed by her boyfriend's recent rise to fame as a contemporary artist creating sculptures from stolen furniture, Signe hatches a vicious plan to reclaim her rightfully deserved attention within the milieu of Oslo's cultural elite.
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Emotional fingerprint
Sick of Myself (2022) — Movie. Top emotional signals: Anxiety 30%, Confusion 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Confusion25%
- Disturbing20%
- Envy15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Disturbing. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Disturbing. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 37 % | 22 % | 5 % | 2 % |
| 7.5 % | ≈ 7′ | Tension | 36 % | 26 % | 10 % | 4 % |
| 12.5 % | ≈ 12′ | Humor | 39 % | 33 % | 16 % | 6 % |
| 17.5 % | ≈ 17′ | Tension | 49 % | 46 % | 28 % | 8 % |
| 22.5 % | ≈ 22′ | Tension | 53 % | 46 % | 31 % | 6 % |
| 27.5 % | ≈ 27′ | Humor | 48 % | 35 % | 26 % | 6 % |
| 32.5 % | ≈ 32′ | Tension | 46 % | 40 % | 30 % | 9 % |
| 37.5 % | ≈ 36′ | Tension | 48 % | 43 % | 32 % | 16 % |
| 42.5 % | ≈ 41′ | Sympathy | 46 % | 34 % | 31 % | 24 % |
| 47.5 % | ≈ 46′ | Disturbing | 45 % | 32 % | 36 % | 20 % |
| 52.5 % | ≈ 51′ | Disturbing | 44 % | 34 % | 36 % | 15 % |
| 57.5 % | ≈ 56′ | Humor | 44 % | 31 % | 35 % | 16 % |
| 62.5 % | ≈ 61′ | Disturbing | 45 % | 31 % | 38 % | 16 % |
| 67.5 % | ≈ 65′ | Humor | 46 % | 38 % | 38 % | 18 % |
| 72.5 % | ≈ 70′ | Disturbing | 54 % | 46 % | 46 % | 24 % |
| 77.5 % | ≈ 75′ | Disturbing | 55 % | 45 % | 49 % | 23 % |
| 82.5 % | ≈ 80′ | Humor | 53 % | 46 % | 45 % | 18 % |
| 87.5 % | ≈ 85′ | Tension | 63 % | 59 % | 56 % | 28 % |
| 92.5 % | ≈ 90′ | Disturbing | 66 % | 53 % | 57 % | 45 % |
| 97.5 % | ≈ 95′ | Sadness | 62 % | 35 % | 47 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Stian
Beate
Nora
Kristina
Anja
Stine
Anine
Torill
Eivind
Erik
Director
Details
- Directed by
- Kristoffer Borgli
- Written by
- Kristoffer Borgli
- Type
- Movies
- Released
- 2022
- Runtime
- 97 min
- Country
- Norway, Sweden
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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