Nevada Smith
1966 · 128 min · Director: Henry Hathaway
Show plot summary (may contain spoilers)
Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
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Emotional fingerprint
Nevada Smith (1966) — Movie. Top emotional signals: Anger 35%, Tension 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anger35%
- Tension25%
- Excitement20%
- Sadness10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anger, Tension, Excitement. Genres: Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anger, Tension and Excitement. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Disturbing
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 84 % | 65 % | 65 % | 65 % |
| 7.5 % | ≈ 10′ | Sadness | 81 % | 48 % | 73 % | 53 % |
| 12.5 % | ≈ 16′ | Empathy | 68 % | 41 % | 66 % | 27 % |
| 17.5 % | ≈ 22′ | Empathy | 65 % | 41 % | 59 % | 32 % |
| 22.5 % | ≈ 29′ | Disturbing | 68 % | 36 % | 55 % | 50 % |
| 27.5 % | ≈ 35′ | Tension | 67 % | 50 % | 45 % | 41 % |
| 32.5 % | ≈ 42′ | Tension | 70 % | 60 % | 49 % | 34 % |
| 37.5 % | ≈ 48′ | Empathy | 66 % | 46 % | 51 % | 30 % |
| 42.5 % | ≈ 54′ | Tension | 65 % | 51 % | 43 % | 39 % |
| 47.5 % | ≈ 61′ | Tension | 70 % | 64 % | 43 % | 55 % |
| 52.5 % | ≈ 67′ | Tension | 64 % | 56 % | 44 % | 43 % |
| 57.5 % | ≈ 74′ | Hope | 67 % | 60 % | 51 % | 30 % |
| 62.5 % | ≈ 80′ | Tension | 82 % | 76 % | 68 % | 49 % |
| 67.5 % | ≈ 86′ | Sadness | 84 % | 78 % | 63 % | 64 % |
| 72.5 % | ≈ 93′ | Tension | 70 % | 64 % | 44 % | 48 % |
| 77.5 % | ≈ 99′ | Empathy | 66 % | 49 % | 53 % | 43 % |
| 82.5 % | ≈ 106′ | Sadness | 77 % | 51 % | 61 % | 57 % |
| 87.5 % | ≈ 112′ | Tension | 84 % | 73 % | 44 % | 55 % |
| 92.5 % | ≈ 118′ | Tension | 88 % | 86 % | 38 % | 57 % |
| 97.5 % | ≈ 125′ | Tension | 90 % | 87 % | 45 % | 72 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mrs. Elvira McCanles
Sheriff
Jack Rudabough
Romero
Buckshot
Details
- Directed by
- Henry Hathaway
- Written by
- John Michael Hayes
- Type
- Movies
- Released
- 1966
- Runtime
- 128 min
- Country
- United States of America
- Genres
- Western
- Ratings
- Feels mostly
- Anger
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





