Macario
1960 · 91 min · Director: Roberto Gavaldón
Show plot summary (may contain spoilers)
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
Emotional fingerprint
Macario (1960) — Movie. Top emotional signals: Awe 30%, Melancholy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Melancholy25%
- Empathy20%
- Anxiety15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Melancholy, Empathy. Genres: Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Melancholy and Empathy. Its IMDb rating of 8.3/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 38 % | 32 % | 20 % | 7 % |
| 7.5 % | ≈ 7′ | Empathy | 44 % | 41 % | 29 % | 10 % |
| 12.5 % | ≈ 11′ | Empathy | 55 % | 55 % | 44 % | 15 % |
| 17.5 % | ≈ 16′ | Empathy | 69 % | 68 % | 59 % | 28 % |
| 22.5 % | ≈ 20′ | Sadness | 73 % | 68 % | 53 % | 41 % |
| 27.5 % | ≈ 25′ | Curiosity | 68 % | 60 % | 31 % | 38 % |
| 32.5 % | ≈ 30′ | Curiosity | 66 % | 53 % | 21 % | 29 % |
| 37.5 % | ≈ 34′ | Curiosity | 71 % | 48 % | 23 % | 40 % |
| 42.5 % | ≈ 39′ | Tension | 70 % | 48 % | 28 % | 54 % |
| 47.5 % | ≈ 43′ | Curiosity | 61 % | 39 % | 21 % | 41 % |
| 52.5 % | ≈ 48′ | Relief | 56 % | 28 % | 10 % | 26 % |
| 57.5 % | ≈ 52′ | Curiosity | 54 % | 25 % | 9 % | 34 % |
| 62.5 % | ≈ 57′ | Tension | 59 % | 31 % | 14 % | 53 % |
| 67.5 % | ≈ 61′ | Tension | 71 % | 46 % | 24 % | 70 % |
| 72.5 % | ≈ 66′ | Tension | 81 % | 55 % | 29 % | 81 % |
| 77.5 % | ≈ 71′ | Tension | 83 % | 55 % | 29 % | 80 % |
| 82.5 % | ≈ 75′ | Tension | 83 % | 63 % | 40 % | 77 % |
| 87.5 % | ≈ 80′ | Tension | 89 % | 69 % | 56 % | 84 % |
| 92.5 % | ≈ 84′ | Tension | 91 % | 69 % | 70 % | 71 % |
| 97.5 % | ≈ 89′ | Sadness | 90 % | 75 % | 82 % | 47 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Macario. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Inquisidor (uncredited)
Don Alfredo, panadero (uncredited)
Vecina de Macario (uncredited)
Nieto de abuelo enfermo (uncredited)
Viuda (uncredited)
Vecina de Macario (uncredited)
Inquisidor (uncredited)
Details
- Directed by
- Roberto Gavaldón
- Written by
- Roberto Gavaldón, Emilio Carballido
- Type
- Movies
- Released
- 1960
- Runtime
- 91 min
- Country
- Mexico
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
