Pantasya ni Tami
2024 · 114 min · Director: Topel Lee, Easy Ferrer
Show plot summary (may contain spoilers)
Tami, with the help of her fubu photographer, Ken, sells sexy photos of herself. When she meets her fan, Gelo, who loves her as she is, she is torn whether to leave cosplaying or leave Gelo.
Emotional fingerprint
Pantasya ni Tami (2024) — Movie. Top emotional signals: Love 35%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Anxiety, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Anxiety and Empathy. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sympathy
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 37 % | 17 % | 3 % | 8 % |
| 7.5 % | ≈ 9′ | Tension | 39 % | 16 % | 8 % | 9 % |
| 12.5 % | ≈ 14′ | Hope | 44 % | 23 % | 21 % | 14 % |
| 17.5 % | ≈ 20′ | Hope | 51 % | 34 % | 34 % | 24 % |
| 22.5 % | ≈ 26′ | Sympathy | 51 % | 36 % | 36 % | 25 % |
| 27.5 % | ≈ 31′ | Hope | 44 % | 21 % | 26 % | 10 % |
| 32.5 % | ≈ 37′ | Not enough subtitle evidence | 41 % | 9 % | 20 % | 1 % |
| 37.5 % | ≈ 43′ | Hope | 43 % | 9 % | 23 % | 3 % |
| 42.5 % | ≈ 48′ | Tension | 44 % | 10 % | 24 % | 1 % |
| 47.5 % | ≈ 54′ | Hope | 49 % | 16 % | 28 % | 5 % |
| 52.5 % | ≈ 60′ | Tension | 61 % | 40 % | 26 % | 29 % |
| 57.5 % | ≈ 66′ | Sympathy | 66 % | 56 % | 26 % | 46 % |
| 62.5 % | ≈ 71′ | Love | 62 % | 48 % | 25 % | 31 % |
| 67.5 % | ≈ 77′ | Tension | 67 % | 49 % | 15 % | 26 % |
| 72.5 % | ≈ 83′ | Sympathy | 74 % | 61 % | 18 % | 41 % |
| 77.5 % | ≈ 88′ | Tension | 81 % | 71 % | 26 % | 56 % |
| 82.5 % | ≈ 94′ | Sympathy | 87 % | 81 % | 31 % | 70 % |
| 87.5 % | ≈ 100′ | Sympathy | 86 % | 79 % | 53 % | 63 % |
| 92.5 % | ≈ 105′ | Hope | 81 % | 69 % | 71 % | 46 % |
| 97.5 % | ≈ 111′ | Love | 76 % | 65 % | 68 % | 45 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Pantasya ni Tami. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ken
Noli
Ellen
Details
- Directed by
- Topel Lee, Easy Ferrer
- Written by
- Don Santella
- Type
- Movies
- Released
- 2024
- Runtime
- 114 min
- Country
- Philippines
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
