Pandora and the Flying Dutchman
1951 · 124 min · Director: Albert Lewin
Show plot summary (may contain spoilers)
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
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Emotional fingerprint
Pandora and the Flying Dutchman (1951) — Movie. Top emotional signals: Love 35%, Sadness 25%, Anticipation 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Sadness25%
- Anticipation15%
- Awe15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Anticipation. Genres: Drama, Romance, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Anticipation. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 52 % | 23 % | 5 % | 20 % |
| 7.5 % | ≈ 9′ | Curiosity | 51 % | 23 % | 11 % | 20 % |
| 12.5 % | ≈ 16′ | Tension | 55 % | 24 % | 18 % | 25 % |
| 17.5 % | ≈ 22′ | Tension | 55 % | 15 % | 20 % | 23 % |
| 22.5 % | ≈ 28′ | Curiosity | 50 % | 9 % | 19 % | 15 % |
| 27.5 % | ≈ 34′ | Curiosity | 45 % | 10 % | 21 % | 13 % |
| 32.5 % | ≈ 40′ | Curiosity | 50 % | 24 % | 28 % | 24 % |
| 37.5 % | ≈ 47′ | Sadness | 68 % | 53 % | 27 % | 49 % |
| 42.5 % | ≈ 53′ | Sadness | 79 % | 70 % | 20 % | 69 % |
| 47.5 % | ≈ 59′ | Sympathy | 70 % | 59 % | 15 % | 61 % |
| 52.5 % | ≈ 65′ | Curiosity | 60 % | 30 % | 15 % | 34 % |
| 57.5 % | ≈ 71′ | Tension | 65 % | 21 % | 14 % | 24 % |
| 62.5 % | ≈ 78′ | Tension | 69 % | 36 % | 29 % | 34 % |
| 67.5 % | ≈ 84′ | Love | 69 % | 39 % | 44 % | 38 % |
| 72.5 % | ≈ 90′ | Tension | 71 % | 38 % | 39 % | 41 % |
| 77.5 % | ≈ 96′ | Sympathy | 76 % | 50 % | 35 % | 53 % |
| 82.5 % | ≈ 102′ | Tension | 76 % | 55 % | 24 % | 55 % |
| 87.5 % | ≈ 109′ | Sympathy | 74 % | 55 % | 31 % | 59 % |
| 92.5 % | ≈ 115′ | Love | 81 % | 61 % | 69 % | 66 % |
| 97.5 % | ≈ 121′ | Love | 88 % | 68 % | 88 % | 68 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Geoffrey Fielding
La Senora Montalvo
Le danseur espagnol
Vincente
Le Barman
Geoffrey's Housekeeper
Dressmaker
Jenny Ford
Member of Montalvo's Cuadrilla
Member of Montalvo's Cuadrilla
Singer, Zanba number (uncredited)
Details
- Directed by
- Albert Lewin
- Written by
- Albert Lewin
- Type
- Movies
- Released
- 1951
- Runtime
- 124 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





