feeldb

Samurai I: Musashi Miyamoto

1954 · 94 min · Director: Hiroshi Inagaki ★ IMDb 7.4 · 10,518 ratings

Show plot summary (may contain spoilers)

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

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Emotional fingerprint

Samurai I: Musashi Miyamoto (1954) — Movie. Top emotional signals: Excitement 30%, Awe 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Awe25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Awe, Tension. Genres: Drama, Adventure, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Awe and Tension. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sympathy
  • Tension
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Hope

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Sadness

Dominant emotion: Love

Sympathy
Tension
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 68 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySympathyTensionSadness
2.5 %≈ 2′Hope37 %13 %30 %8 %
7.5 %≈ 7′Tension57 %33 %54 %24 %
12.5 %≈ 12′Sympathy61 %48 %55 %35 %
17.5 %≈ 16′Sympathy48 %36 %38 %27 %
22.5 %≈ 21′Tension53 %21 %46 %16 %
27.5 %≈ 26′Tension66 %21 %65 %15 %
32.5 %≈ 31′Tension64 %26 %64 %18 %
37.5 %≈ 35′Tension56 %29 %56 %18 %
42.5 %≈ 40′Tension61 %40 %61 %24 %
47.5 %≈ 45′Tension71 %57 %64 %41 %
52.5 %≈ 49′Sadness73 %60 %57 %49 %
57.5 %≈ 54′Tension70 %55 %60 %38 %
62.5 %≈ 59′Sympathy75 %65 %68 %41 %
67.5 %≈ 63′Sympathy80 %73 %68 %50 %
72.5 %≈ 68′Hope80 %68 %66 %45 %
77.5 %≈ 73′Tension76 %61 %65 %45 %
82.5 %≈ 78′Love61 %46 %48 %41 %
87.5 %≈ 82′Sadness51 %34 %26 %34 %
92.5 %≈ 87′Hope65 %48 %24 %46 %
97.5 %≈ 92′Sadness82 %70 %30 %68 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

MO
Mariko Okada

Akemi

KO
Kurôemon Onoe

MM
Mitsuko Mito

EM
Eiko Miyoshi

EM
Eiko Miyoshi

Osugi

KA
Kusuo Abe

MŌ
Masanobu Ōkubo

Petty Official

SO
Seijirô Onda

Chief Official (uncredited)

FM
Fumindo Matsuo

Petty Official (uncredited)

TK
Takuzō Kumagai

Villager (uncredited)

AS
Akira Sera

Villager (uncredited)

YT
Yasuhisa Tsutsumi

Villager (uncredited)

YS
Yutaka Sada

Soldier (uncredited)

SK
Shigeo Katō

Soldier (uncredited)

JM
Jun'ichirō Mukai

Soldier (uncredited)

KK
Kiyoshi Kamoda

Roving Warrior (uncredited)

Details

Directed by
Hiroshi Inagaki
Written by
Hiroshi Inagaki, Eiji Yoshikawa, Tokuhei Wakao
Type
Movies
Released
1954
Runtime
94 min
Country
Japan
Ratings
★ IMDb 7.4 · 10,518 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.