Stromboli
1950 · 107 min · Director: Roberto Rossellini
Show plot summary (may contain spoilers)
After the end of WWII, a young Lithuanian woman and a young Italian man from Stromboli impulsively marry, but married life on the island is more demanding than she can accept.
Emotional fingerprint
Stromboli (1950) — Movie. Top emotional signals: Sadness 30%, Anxiety 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Awe. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Awe. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 38 % | 15 % | 37 % | 25 % |
| 7.5 % | ≈ 8′ | Hope | 35 % | 21 % | 28 % | 16 % |
| 12.5 % | ≈ 13′ | Tension | 32 % | 24 % | 20 % | 14 % |
| 17.5 % | ≈ 19′ | Sadness | 40 % | 31 % | 28 % | 25 % |
| 22.5 % | ≈ 24′ | Tension | 55 % | 43 % | 44 % | 41 % |
| 27.5 % | ≈ 29′ | Sadness | 56 % | 35 % | 51 % | 48 % |
| 32.5 % | ≈ 35′ | Empathy | 48 % | 26 % | 48 % | 40 % |
| 37.5 % | ≈ 40′ | Empathy | 46 % | 31 % | 46 % | 35 % |
| 42.5 % | ≈ 45′ | Empathy | 44 % | 36 % | 40 % | 27 % |
| 47.5 % | ≈ 51′ | Tension | 46 % | 45 % | 36 % | 24 % |
| 52.5 % | ≈ 56′ | Tension | 58 % | 55 % | 46 % | 36 % |
| 57.5 % | ≈ 62′ | Sadness | 61 % | 56 % | 48 % | 41 % |
| 62.5 % | ≈ 67′ | Tension | 55 % | 50 % | 36 % | 28 % |
| 67.5 % | ≈ 72′ | Hope | 44 % | 31 % | 21 % | 11 % |
| 72.5 % | ≈ 78′ | Not enough subtitle evidence | 45 % | 26 % | 15 % | 6 % |
| 77.5 % | ≈ 83′ | Tension | 60 % | 50 % | 30 % | 16 % |
| 82.5 % | ≈ 88′ | Tension | 69 % | 68 % | 49 % | 31 % |
| 87.5 % | ≈ 94′ | Tension | 73 % | 71 % | 59 % | 41 % |
| 92.5 % | ≈ 99′ | Tension | 76 % | 70 % | 65 % | 50 % |
| 97.5 % | ≈ 104′ | Empathy | 78 % | 67 % | 68 % | 57 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Stromboli. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Roberto Rossellini
- Written by
- Roberto Rossellini, Sergio Amidei, Art Cohn, Gian Paolo Callegari, Renzo Cesana, Félix Morlión
- Type
- Movies
- Released
- 1950
- Runtime
- 107 min
- Country
- Italy, United States of America
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
