Jenny Lamour
1947 · 108 min · Director: Henri-Georges Clouzot
Show plot summary (may contain spoilers)
Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.
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Emotional fingerprint
Jenny Lamour (1947) — Movie. Top emotional signals: Tension 30%, Confusion 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Confusion, Anxiety. Genres: Thriller, Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Confusion and Anxiety. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 18 % | 13 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 45 % | 23 % | 18 % | 5 % |
| 12.5 % | ≈ 14′ | Curiosity | 48 % | 31 % | 32 % | 3 % |
| 17.5 % | ≈ 19′ | Tension | 53 % | 38 % | 48 % | 0 % |
| 22.5 % | ≈ 24′ | Tension | 63 % | 46 % | 60 % | 0 % |
| 27.5 % | ≈ 30′ | Tension | 73 % | 54 % | 69 % | 5 % |
| 32.5 % | ≈ 35′ | Tension | 68 % | 55 % | 59 % | 11 % |
| 37.5 % | ≈ 41′ | Curiosity | 59 % | 56 % | 42 % | 8 % |
| 42.5 % | ≈ 46′ | Curiosity | 60 % | 59 % | 43 % | 1 % |
| 47.5 % | ≈ 51′ | Curiosity | 63 % | 60 % | 51 % | 0 % |
| 52.5 % | ≈ 57′ | Curiosity | 63 % | 59 % | 58 % | 0 % |
| 57.5 % | ≈ 62′ | Tension | 63 % | 58 % | 59 % | 0 % |
| 62.5 % | ≈ 68′ | Curiosity | 60 % | 55 % | 53 % | 0 % |
| 67.5 % | ≈ 73′ | Curiosity | 61 % | 50 % | 52 % | 1 % |
| 72.5 % | ≈ 78′ | Empathy | 66 % | 51 % | 60 % | 4 % |
| 77.5 % | ≈ 84′ | Curiosity | 66 % | 59 % | 61 % | 6 % |
| 82.5 % | ≈ 89′ | Curiosity | 70 % | 60 % | 65 % | 6 % |
| 87.5 % | ≈ 95′ | Tension | 77 % | 57 % | 64 % | 20 % |
| 92.5 % | ≈ 100′ | Relief | 79 % | 55 % | 46 % | 54 % |
| 97.5 % | ≈ 105′ | Relief | 77 % | 48 % | 33 % | 73 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Inspector Picard
Nitram
Auguste
Mrs. Beauvoir
Bartender
Fayard
Inspector Marchetti
Inspector #1
Details
- Directed by
- Henri-Georges Clouzot
- Written by
- Henri-Georges Clouzot, Jean Ferry, Stanislas-André Steeman
- Type
- Movies
- Released
- 1947
- Runtime
- 108 min
- Country
- France
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




