YellowBrickRoad
2010 · 100 min · Director: Jesse Holland, Andy Mitton
Show plot summary (may contain spoilers)
In the Fall of 1940, the entire population of Friar, New Hampshire walked together up a winding mountain trail and into the wilderness. Without warning, they left behind everything: their homes, their clothes, and their money. The only clue where they went was a single word etched into stone near the forest’s edge: YELLOWBRICKROAD.
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Emotional fingerprint
YellowBrickRoad (2010) — Movie. Top emotional signals: Anxiety 34%, Fear 27%, Curiosity 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Curiosity. Genres: Thriller, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Curiosity. Its IMDb rating of 4.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Disturbing
- Tension
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Tension | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 48 % | 31 % | 30 % | 16 % |
| 7.5 % | ≈ 8′ | Curiosity | 42 % | 20 % | 25 % | 11 % |
| 12.5 % | ≈ 13′ | Curiosity | 40 % | 13 % | 25 % | 11 % |
| 17.5 % | ≈ 18′ | Curiosity | 44 % | 18 % | 33 % | 18 % |
| 22.5 % | ≈ 23′ | Curiosity | 52 % | 30 % | 42 % | 26 % |
| 27.5 % | ≈ 28′ | Curiosity | 58 % | 41 % | 50 % | 33 % |
| 32.5 % | ≈ 33′ | Curiosity | 60 % | 49 % | 56 % | 40 % |
| 37.5 % | ≈ 38′ | Tension | 66 % | 59 % | 64 % | 50 % |
| 42.5 % | ≈ 43′ | Disturbing | 75 % | 68 % | 71 % | 58 % |
| 47.5 % | ≈ 48′ | Tension | 76 % | 70 % | 74 % | 60 % |
| 52.5 % | ≈ 53′ | Disturbing | 74 % | 66 % | 74 % | 59 % |
| 57.5 % | ≈ 58′ | Tension | 74 % | 60 % | 76 % | 59 % |
| 62.5 % | ≈ 63′ | Tension | 71 % | 60 % | 70 % | 56 % |
| 67.5 % | ≈ 68′ | Disturbing | 63 % | 60 % | 56 % | 43 % |
| 72.5 % | ≈ 73′ | Disturbing | 65 % | 65 % | 58 % | 44 % |
| 77.5 % | ≈ 78′ | Disturbing | 81 % | 80 % | 76 % | 68 % |
| 82.5 % | ≈ 83′ | Disturbing | 91 % | 89 % | 84 % | 80 % |
| 87.5 % | ≈ 88′ | Disturbing | 87 % | 85 % | 78 % | 71 % |
| 92.5 % | ≈ 93′ | Disturbing | 80 % | 79 % | 68 % | 58 % |
| 97.5 % | ≈ 98′ | Disturbing | 77 % | 78 % | 62 % | 55 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Liv McCann
Details
- Directed by
- Jesse Holland, Andy Mitton
- Written by
- L. Frank Baum, Jesse Holland, Andy Mitton
- Type
- Movies
- Released
- 2010
- Runtime
- 100 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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Free
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