feeldb

No Bears

2022 · 107 min · Director: Jafar Panahi ★ IMDb 7.2 · 5,607 ratings

Show plot summary (may contain spoilers)

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

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Emotional fingerprint

No Bears (2022) — Movie. Top emotional signals: Anxiety 30%, Confusion 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Confusion, Melancholy. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Confusion and Melancholy. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Empathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Empathy

Dominant emotion: Sadness

Tension
Empathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 23 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionEmpathySadness
2.5 %≈ 3′Curiosity43 %34 %27 %7 %
7.5 %≈ 8′Curiosity36 %21 %20 %6 %
12.5 %≈ 13′Curiosity36 %17 %19 %7 %
17.5 %≈ 19′Humor42 %26 %21 %8 %
22.5 %≈ 24′Curiosity50 %40 %24 %8 %
27.5 %≈ 29′Tension60 %56 %30 %10 %
32.5 %≈ 35′Tension65 %64 %39 %15 %
37.5 %≈ 40′Tension59 %57 %41 %19 %
42.5 %≈ 45′Tension57 %55 %45 %24 %
47.5 %≈ 51′Tension57 %54 %46 %26 %
52.5 %≈ 56′Curiosity54 %51 %38 %21 %
57.5 %≈ 62′Tension61 %59 %41 %25 %
62.5 %≈ 67′Empathy65 %61 %49 %32 %
67.5 %≈ 72′Curiosity64 %60 %45 %33 %
72.5 %≈ 78′Tension73 %68 %55 %46 %
77.5 %≈ 83′Empathy81 %74 %68 %56 %
82.5 %≈ 88′Tension82 %75 %68 %54 %
87.5 %≈ 94′Sadness84 %75 %74 %66 %
92.5 %≈ 99′Sadness88 %79 %81 %81 %
97.5 %≈ 104′Sadness91 %83 %83 %87 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

NH
Naser Hashemi

VM
Vahid Mobasseri

BP
Bakhtiyar Panjeei

MK
Mina Kavani

ND
Narges Delaram

AH
Abdolreza Heydari

AD
Amir Davar

DA
Darya Alei

SY
Sinan Yusufoglu

RA
Rahim Abbasi

Villager

EA
Ehsan Ahmad Khanpour

Kid

IB
Iman Bazyar

Soldier

Details

Directed by
Jafar Panahi
Written by
Jafar Panahi
Type
Movies
Released
2022
Runtime
107 min
Country
Iran
Genres
Drama, Romance
Ratings
★ IMDb 7.2 · 5,607 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.