Verdi: La Traviata
2007 · 133 min · Director: Liliana Cavani
Show plot summary (may contain spoilers)
Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.
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Emotional fingerprint
Verdi: La Traviata (2007) — Movie. Top emotional signals: Sadness 35%, Love 25%, Empathy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Love25%
- Empathy15%
- Awe15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Empathy. Genres: Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Empathy. Its IMDb rating of 8.2/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 45 % | 10 % | 22 % | 5 % |
| 7.5 % | ≈ 10′ | Joy | 54 % | 13 % | 38 % | 11 % |
| 12.5 % | ≈ 17′ | Love | 64 % | 23 % | 59 % | 25 % |
| 17.5 % | ≈ 23′ | Love | 68 % | 26 % | 68 % | 28 % |
| 22.5 % | ≈ 30′ | Love | 65 % | 18 % | 65 % | 25 % |
| 27.5 % | ≈ 37′ | Love | 65 % | 28 % | 58 % | 41 % |
| 32.5 % | ≈ 43′ | Sadness | 74 % | 59 % | 50 % | 56 % |
| 37.5 % | ≈ 50′ | Sadness | 83 % | 80 % | 53 % | 55 % |
| 42.5 % | ≈ 57′ | Sadness | 85 % | 84 % | 64 % | 57 % |
| 47.5 % | ≈ 63′ | Sadness | 80 % | 76 % | 61 % | 61 % |
| 52.5 % | ≈ 70′ | Sadness | 65 % | 51 % | 36 % | 49 % |
| 57.5 % | ≈ 76′ | Joy | 60 % | 31 % | 21 % | 46 % |
| 62.5 % | ≈ 83′ | Tension | 76 % | 50 % | 35 % | 66 % |
| 67.5 % | ≈ 90′ | Sadness | 88 % | 75 % | 52 % | 75 % |
| 72.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 77.5 % | ≈ 103′ | Sadness | 88 % | 85 % | 45 % | 48 % |
| 82.5 % | ≈ 110′ | Love | 88 % | 81 % | 65 % | 48 % |
| 87.5 % | ≈ 116′ | Sadness | 90 % | 85 % | 80 % | 55 % |
| 92.5 % | ≈ 123′ | Sadness | 93 % | 92 % | 83 % | 58 % |
| 97.5 % | ≈ 130′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Violetta Valery
Self - Chorus
Self - Conductor
Self - Composer
Self - Ballet
Details
- Directed by
- Liliana Cavani
- Written by
- Francesco Maria Piave, Alexandre Dumas fils
- Type
- Movies
- Released
- 2007
- Runtime
- 133 min
- Country
- Italy
- Genres
- Music
- Ratings
- Feels mostly
- Sadness
- Data updated
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





