Stage Fright
1950 · 110 min · Director: Alfred Hitchcock
Show plot summary (may contain spoilers)
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
Emotional fingerprint
Stage Fright (1950) — Movie. Top emotional signals: Confusion 30%, Anticipation 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion30%
- Anticipation25%
- Tension20%
- Surprise15%
- Fear10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Anticipation, Tension. Genres: Thriller. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Anticipation and Tension. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 63 % | 63 % | 52 % | 23 % |
| 7.5 % | ≈ 8′ | Tension | 60 % | 60 % | 46 % | 20 % |
| 12.5 % | ≈ 14′ | Tension | 56 % | 53 % | 46 % | 19 % |
| 17.5 % | ≈ 19′ | Curiosity | 54 % | 46 % | 50 % | 19 % |
| 22.5 % | ≈ 25′ | Tension | 48 % | 39 % | 44 % | 13 % |
| 27.5 % | ≈ 30′ | Curiosity | 40 % | 25 % | 36 % | 8 % |
| 32.5 % | ≈ 36′ | Humor | 36 % | 18 % | 32 % | 8 % |
| 37.5 % | ≈ 41′ | Humor | 36 % | 21 % | 33 % | 8 % |
| 42.5 % | ≈ 47′ | Curiosity | 41 % | 26 % | 36 % | 9 % |
| 47.5 % | ≈ 52′ | Humor | 44 % | 26 % | 33 % | 9 % |
| 52.5 % | ≈ 58′ | Humor | 43 % | 30 % | 30 % | 8 % |
| 57.5 % | ≈ 63′ | Curiosity | 44 % | 35 % | 38 % | 10 % |
| 62.5 % | ≈ 69′ | Curiosity | 44 % | 33 % | 43 % | 13 % |
| 67.5 % | ≈ 74′ | Curiosity | 43 % | 31 % | 41 % | 11 % |
| 72.5 % | ≈ 80′ | Curiosity | 43 % | 33 % | 39 % | 11 % |
| 77.5 % | ≈ 85′ | Humor | 43 % | 31 % | 39 % | 14 % |
| 82.5 % | ≈ 91′ | Curiosity | 46 % | 36 % | 45 % | 16 % |
| 87.5 % | ≈ 96′ | Curiosity | 56 % | 53 % | 53 % | 23 % |
| 92.5 % | ≈ 102′ | Tension | 71 % | 71 % | 53 % | 41 % |
| 97.5 % | ≈ 107′ | Tension | 83 % | 83 % | 48 % | 62 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Chubby Bannister
Man in Pub (uncredited)
2nd Chauffeur (uncredited)
Policeman (uncredited)
Details
- Directed by
- Alfred Hitchcock
- Written by
- Selwyn Jepson, Whitfield Cook
- Type
- Movies
- Released
- 1950
- Runtime
- 110 min
- Country
- United Kingdom
- Genres
- Thriller
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Rent
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