The End We Start From
2023 · 102 min · Director: Mahalia Belo
Show plot summary (may contain spoilers)
As London is submerged below floodwaters, a woman gives birth to her first child. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place.
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Emotional fingerprint
The End We Start From (2023) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Sadness. Genres: Thriller, Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Sadness. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 39 % | 27 % | 3 % | 23 % |
| 7.5 % | ≈ 8′ | Tension | 57 % | 41 % | 10 % | 48 % |
| 12.5 % | ≈ 13′ | Tension | 61 % | 48 % | 18 % | 56 % |
| 17.5 % | ≈ 18′ | Relief | 54 % | 43 % | 24 % | 49 % |
| 22.5 % | ≈ 23′ | Tension | 62 % | 51 % | 43 % | 47 % |
| 27.5 % | ≈ 28′ | Sadness | 75 % | 67 % | 66 % | 49 % |
| 32.5 % | ≈ 33′ | Sadness | 79 % | 71 % | 66 % | 63 % |
| 37.5 % | ≈ 38′ | Tension | 73 % | 65 % | 53 % | 66 % |
| 42.5 % | ≈ 43′ | Sadness | 63 % | 57 % | 48 % | 52 % |
| 47.5 % | ≈ 48′ | Sadness | 65 % | 56 % | 44 % | 55 % |
| 52.5 % | ≈ 54′ | Tension | 73 % | 60 % | 45 % | 60 % |
| 57.5 % | ≈ 59′ | Sadness | 73 % | 55 % | 43 % | 44 % |
| 62.5 % | ≈ 64′ | Relief | 66 % | 42 % | 27 % | 31 % |
| 67.5 % | ≈ 69′ | Relief | 53 % | 37 % | 20 % | 21 % |
| 72.5 % | ≈ 74′ | Relief | 49 % | 42 % | 28 % | 26 % |
| 77.5 % | ≈ 79′ | Empathy | 61 % | 55 % | 37 % | 50 % |
| 82.5 % | ≈ 84′ | Empathy | 66 % | 63 % | 43 % | 53 % |
| 87.5 % | ≈ 89′ | Empathy | 59 % | 55 % | 40 % | 29 % |
| 92.5 % | ≈ 94′ | Hope | 52 % | 46 % | 33 % | 12 % |
| 97.5 % | ≈ 99′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
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MW
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Details
- Directed by
- Mahalia Belo
- Written by
- Alice Birch, Megan Hunter
- Type
- Movies
- Released
- 2023
- Runtime
- 102 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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