Don't Torture a Duckling
1972 · 105 min · Director: Lucio Fulci
Show plot summary (may contain spoilers)
A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town rife with superstition and a distrust of outsiders.
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Emotional fingerprint
Don't Torture a Duckling (1972) — Movie. Top emotional signals: Disturbing 35%, Anxiety 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Anxiety25%
- Fear20%
- Empathy10%
- Confusion10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Anxiety, Fear. Genres: Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Anxiety and Fear. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 28 % | 27 % | 17 % | 8 % |
| 7.5 % | ≈ 8′ | Curiosity | 38 % | 29 % | 23 % | 26 % |
| 12.5 % | ≈ 13′ | Disturbing | 51 % | 35 % | 38 % | 40 % |
| 17.5 % | ≈ 18′ | Tension | 60 % | 48 % | 55 % | 38 % |
| 22.5 % | ≈ 24′ | Tension | 64 % | 59 % | 60 % | 44 % |
| 27.5 % | ≈ 29′ | Curiosity | 59 % | 59 % | 46 % | 46 % |
| 32.5 % | ≈ 34′ | Curiosity | 50 % | 54 % | 34 % | 29 % |
| 37.5 % | ≈ 39′ | Curiosity | 53 % | 55 % | 43 % | 21 % |
| 42.5 % | ≈ 45′ | Tension | 57 % | 58 % | 51 % | 28 % |
| 47.5 % | ≈ 50′ | Curiosity | 60 % | 60 % | 51 % | 38 % |
| 52.5 % | ≈ 55′ | Curiosity | 65 % | 65 % | 55 % | 54 % |
| 57.5 % | ≈ 60′ | Curiosity | 63 % | 64 % | 53 % | 55 % |
| 62.5 % | ≈ 66′ | Curiosity | 59 % | 53 % | 45 % | 49 % |
| 67.5 % | ≈ 71′ | Sadness | 63 % | 45 % | 46 % | 50 % |
| 72.5 % | ≈ 76′ | Tension | 64 % | 51 % | 55 % | 49 % |
| 77.5 % | ≈ 81′ | Curiosity | 61 % | 61 % | 54 % | 45 % |
| 82.5 % | ≈ 87′ | Curiosity | 61 % | 68 % | 49 % | 39 % |
| 87.5 % | ≈ 92′ | Curiosity | 70 % | 70 % | 63 % | 45 % |
| 92.5 % | ≈ 97′ | Tension | 81 % | 64 % | 79 % | 65 % |
| 97.5 % | ≈ 102′ | Disturbing | 85 % | 55 % | 82 % | 78 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mrs. Spriano - Michele's Mother
Mario (uncredited)
Malvina (uncredited)
Dwarf (uncredited)
Details
- Directed by
- Lucio Fulci
- Written by
- Lucio Fulci, Gianfranco Clerici, Roberto Gianviti
- Type
- Movies
- Released
- 1972
- Runtime
- 105 min
- Country
- Italy
- Genres
- Horror
- Ratings
- Feels mostly
- Disturbing
- Data updated
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Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





