feeldb

When a Woman Ascends the Stairs

1960 · 111 min · Director: Mikio Naruse ★ IMDb 8 · 5,463 ratings

Show plot summary (may contain spoilers)

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

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Emotional fingerprint

When a Woman Ascends the Stairs (1960) — Movie. Top emotional signals: Melancholy 35%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Melancholy, Empathy, Sadness. Genres: Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Melancholy, Empathy and Sadness. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.

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Emotional journey

AI · from subtitles
  • Empathy
  • Melancholy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Empathy

Dominant emotion: Melancholy

Dominant emotion: Hope

Dominant emotion: Sadness

Dominant emotion: Tension

Empathy
Melancholy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 18 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityEmpathyMelancholySadness
2.5 %≈ 3′Empathy36 %34 %29 %20 %
7.5 %≈ 8′Melancholy40 %36 %37 %24 %
12.5 %≈ 14′Melancholy35 %30 %33 %18 %
17.5 %≈ 19′Melancholy31 %27 %27 %12 %
22.5 %≈ 25′Melancholy39 %36 %33 %22 %
27.5 %≈ 31′Melancholy47 %45 %40 %33 %
32.5 %≈ 36′Empathy46 %42 %34 %25 %
37.5 %≈ 42′Hope45 %40 %29 %19 %
42.5 %≈ 47′Empathy54 %49 %38 %37 %
47.5 %≈ 53′Sadness69 %62 %47 %55 %
52.5 %≈ 58′Tension70 %64 %41 %50 %
57.5 %≈ 64′Empathy63 %61 %37 %40 %
62.5 %≈ 69′Empathy68 %67 %45 %49 %
67.5 %≈ 75′Empathy73 %71 %48 %55 %
72.5 %≈ 80′Empathy68 %63 %37 %42 %
77.5 %≈ 86′Hope67 %59 %36 %39 %
82.5 %≈ 92′Sadness71 %65 %46 %51 %
87.5 %≈ 97′Melancholy73 %68 %55 %56 %
92.5 %≈ 103′Sadness78 %73 %64 %65 %
97.5 %≈ 108′Melancholy82 %78 %72 %71 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

HT
Hideko Takamine

RD
Reiko Dan

GN
Ganjirō Nakamura II

KA
Keiko Awaji

CN
Chieko Nakakita

JT
Jun Tatara

JT
Jun Tatara

Goldfish

YF
Yū Fujiki

Matsui

MO
Masao Oda

Yoshizo Yashiro

KM
Ken Mitsuda

Sonoda

CH
Chikako Hosokawa

Matsuko

SS
Sadako Sawamura

Toshiko

KS
Kyū Sazanka

Bar Owner

NS
Noriko Sengoku

Fortune Teller

KS
Kin Sugai

Katsuko

TH
Toshiko Higuchi

Hostess

NH
Noriko Honma

Mineko

Details

Directed by
Mikio Naruse
Type
Movies
Released
1960
Runtime
111 min
Country
Japan
Genres
Drama
Ratings
★ IMDb 8 · 5,463 ratings
Feels mostly
Melancholy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.