Jaws: The Revenge
1987 · 89 min · Director: Joseph Sargent
Show plot summary (may contain spoilers)
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
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Emotional fingerprint
Jaws: The Revenge (1987) — Movie. Top emotional signals: Fear 35%, Sadness 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Sadness25%
- Tension20%
- Excitement10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Sadness, Tension. Genres: Thriller, Adventure, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Sadness and Tension. Its IMDb rating of 3.1/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Relief
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Relief | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 33 % | 9 % | 0 % | 1 % |
| 7.5 % | ≈ 7′ | Humor | 46 % | 23 % | 0 % | 16 % |
| 12.5 % | ≈ 11′ | Sadness | 68 % | 44 % | 3 % | 36 % |
| 17.5 % | ≈ 16′ | Sadness | 67 % | 39 % | 8 % | 25 % |
| 22.5 % | ≈ 20′ | Humor | 50 % | 21 % | 8 % | 7 % |
| 27.5 % | ≈ 24′ | Humor | 43 % | 20 % | 4 % | 6 % |
| 32.5 % | ≈ 29′ | Sadness | 51 % | 35 % | 4 % | 22 % |
| 37.5 % | ≈ 33′ | Tension | 57 % | 46 % | 7 % | 35 % |
| 42.5 % | ≈ 38′ | Humor | 50 % | 36 % | 12 % | 26 % |
| 47.5 % | ≈ 42′ | Humor | 45 % | 25 % | 14 % | 13 % |
| 52.5 % | ≈ 47′ | Humor | 48 % | 29 % | 10 % | 14 % |
| 57.5 % | ≈ 51′ | Humor | 47 % | 30 % | 10 % | 15 % |
| 62.5 % | ≈ 56′ | Humor | 51 % | 36 % | 7 % | 26 % |
| 67.5 % | ≈ 60′ | Tension | 65 % | 57 % | 8 % | 50 % |
| 72.5 % | ≈ 65′ | Tension | 74 % | 72 % | 12 % | 64 % |
| 77.5 % | ≈ 69′ | Tension | 80 % | 77 % | 8 % | 69 % |
| 82.5 % | ≈ 73′ | Tension | 81 % | 78 % | 5 % | 67 % |
| 87.5 % | ≈ 78′ | Tension | 83 % | 81 % | 21 % | 68 % |
| 92.5 % | ≈ 82′ | Tension | 86 % | 69 % | 53 % | 59 % |
| 97.5 % | ≈ 87′ | Relief | 83 % | 41 % | 73 % | 31 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Young Sean Brody
William
Tiffany
Polly
Mrs. Taft
Mayor
Mrs. Kintner
Man in the Boat
Mrs. Ferguson
Jesus
Details
- Directed by
- Joseph Sargent
- Written by
- Michael De Guzman
- Type
- Movies
- Released
- 1987
- Runtime
- 89 min
- Country
- United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





