The Last Tycoon
1976 · 123 min · Director: Elia Kazan
Show plot summary (may contain spoilers)
Monroe Stahr, a successful movie producer, pursues a beautiful and elusive young woman — all the while working himself to death.
Your viewing check-in
Emotional fingerprint
The Last Tycoon (1976) — Movie. Top emotional signals: Sadness 30%, Love 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Love25%
- Anxiety20%
- Satisfaction15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Anxiety. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Melancholy
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Melancholy
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 34 % | 13 % | 8 % | 25 % |
| 7.5 % | ≈ 9′ | Tension | 38 % | 18 % | 9 % | 26 % |
| 12.5 % | ≈ 15′ | Melancholy | 36 % | 23 % | 11 % | 25 % |
| 17.5 % | ≈ 22′ | Melancholy | 32 % | 20 % | 11 % | 23 % |
| 22.5 % | ≈ 28′ | Humor | 35 % | 16 % | 12 % | 28 % |
| 27.5 % | ≈ 34′ | Curiosity | 41 % | 13 % | 14 % | 41 % |
| 32.5 % | ≈ 40′ | Curiosity | 44 % | 12 % | 16 % | 47 % |
| 37.5 % | ≈ 46′ | Curiosity | 42 % | 15 % | 24 % | 38 % |
| 42.5 % | ≈ 52′ | Humor | 46 % | 28 % | 37 % | 31 % |
| 47.5 % | ≈ 58′ | Melancholy | 55 % | 43 % | 47 % | 31 % |
| 52.5 % | ≈ 65′ | Love | 60 % | 51 % | 47 % | 31 % |
| 57.5 % | ≈ 71′ | Melancholy | 60 % | 54 % | 35 % | 26 % |
| 62.5 % | ≈ 77′ | Melancholy | 56 % | 51 % | 30 % | 26 % |
| 67.5 % | ≈ 83′ | Melancholy | 51 % | 47 % | 32 % | 30 % |
| 72.5 % | ≈ 89′ | Melancholy | 51 % | 41 % | 30 % | 28 % |
| 77.5 % | ≈ 95′ | Tension | 53 % | 28 % | 24 % | 29 % |
| 82.5 % | ≈ 101′ | Tension | 59 % | 33 % | 13 % | 26 % |
| 87.5 % | ≈ 108′ | Melancholy | 66 % | 56 % | 15 % | 26 % |
| 92.5 % | ≈ 114′ | Melancholy | 70 % | 69 % | 24 % | 31 % |
| 97.5 % | ≈ 120′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Last Tycoon. From the film’s own dialogue and FeelDB data, at your spoiler level.
Kadri
Hi, I’m Kadri. Ask me anything about The Last Tycoon — I’ll stay inside your spoiler line.
Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Popolos
Stahr's Secretary
Brady's Secretary
Brady's Secretary
Details
- Directed by
- Elia Kazan
- Written by
- Harold Pinter, F. Scott Fitzgerald
- Type
- Movies
- Released
- 1976
- Runtime
- 123 min
- Country
- United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





