Repossessed
1990 · 84 min · Director: Bob Logan
Show plot summary (may contain spoilers)
It's been some time since Father Jebedaiah Mayii exorcised the Devil from little Nancy Aglet, who is now grown up with a husband and two children of her own. But the prince of darkness wants to go a second round and has returned to repossess her! With Father Mayii unwilling to help, Father Luke Brophy tries his best to help Nancy, even when TV's Ernest Weller plans to air the exorcism live on TV.
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Emotional fingerprint
Repossessed (1990) — Movie. Top emotional signals: Humor 35%, Joy 20%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy20%
- Surprise20%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 57 % | 28 % | 18 % |
| 7.5 % | ≈ 6′ | Humor | 51 % | 51 % | 18 % | 13 % |
| 12.5 % | ≈ 11′ | Humor | 53 % | 53 % | 15 % | 10 % |
| 17.5 % | ≈ 15′ | Humor | 54 % | 54 % | 15 % | 6 % |
| 22.5 % | ≈ 19′ | Humor | 55 % | 54 % | 18 % | 6 % |
| 27.5 % | ≈ 23′ | Humor | 57 % | 55 % | 24 % | 11 % |
| 32.5 % | ≈ 27′ | Humor | 55 % | 53 % | 25 % | 13 % |
| 37.5 % | ≈ 32′ | Humor | 50 % | 48 % | 25 % | 11 % |
| 42.5 % | ≈ 36′ | Humor | 48 % | 46 % | 21 % | 8 % |
| 47.5 % | ≈ 40′ | Humor | 49 % | 49 % | 20 % | 6 % |
| 52.5 % | ≈ 44′ | Humor | 50 % | 50 % | 23 % | 6 % |
| 57.5 % | ≈ 48′ | Humor | 53 % | 53 % | 25 % | 9 % |
| 62.5 % | ≈ 53′ | Humor | 59 % | 55 % | 35 % | 19 % |
| 67.5 % | ≈ 57′ | Humor | 64 % | 55 % | 46 % | 26 % |
| 72.5 % | ≈ 61′ | Humor | 64 % | 57 % | 48 % | 24 % |
| 77.5 % | ≈ 65′ | Humor | 63 % | 59 % | 46 % | 20 % |
| 82.5 % | ≈ 69′ | Humor | 65 % | 59 % | 50 % | 23 % |
| 87.5 % | ≈ 74′ | Humor | 70 % | 63 % | 48 % | 21 % |
| 92.5 % | ≈ 78′ | Relief | 66 % | 60 % | 30 % | 11 % |
| 97.5 % | ≈ 82′ | Humor | 55 % | 52 % | 12 % | 3 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Braydon Aglet
Fanny Ray Weller
Freida Aglet
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Details
- Directed by
- Bob Logan
- Written by
- Bob Logan
- Type
- Movies
- Released
- 1990
- Runtime
- 84 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





