feeldb

Anne of the Thousand Days

1969 · 145 min · Director: Charles Jarrott ★ IMDb 7.4 · 8,968 ratings

Show plot summary (may contain spoilers)

Henry VIII of England discards his wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.

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Emotional fingerprint

Anne of the Thousand Days (1969) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love15%
  2. Anger10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Empathy, Tension. Genres: Drama, Romance, History. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Empathy and Tension. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sympathy
  • Sadness
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Love

Dominant emotion: Sadness

Sympathy
Sadness
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity peaks around 3 %, then dips around 13 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySympathySadnessTension
2.5 %≈ 4′Tension60 %40 %35 %58 %
7.5 %≈ 11′Sympathy48 %31 %20 %43 %
12.5 %≈ 18′Love41 %26 %9 %34 %
17.5 %≈ 25′Sympathy46 %35 %16 %39 %
22.5 %≈ 33′Sympathy50 %41 %29 %44 %
27.5 %≈ 40′Tension48 %34 %25 %44 %
32.5 %≈ 47′Tension48 %31 %19 %44 %
37.5 %≈ 54′Sympathy56 %45 %30 %50 %
42.5 %≈ 62′Sympathy65 %57 %43 %59 %
47.5 %≈ 69′Tension63 %53 %38 %60 %
52.5 %≈ 76′Tension54 %43 %30 %53 %
57.5 %≈ 83′Sympathy56 %36 %28 %41 %
62.5 %≈ 91′Love66 %36 %26 %38 %
67.5 %≈ 98′Sympathy66 %45 %34 %49 %
72.5 %≈ 105′Tension66 %50 %44 %63 %
77.5 %≈ 112′Tension76 %59 %55 %73 %
82.5 %≈ 120′Sympathy84 %71 %63 %79 %
87.5 %≈ 127′Sympathy85 %76 %66 %78 %
92.5 %≈ 134′Sadness86 %80 %78 %75 %
97.5 %≈ 141′Sadness88 %83 %87 %77 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Michael Hordern

Thomas Boleyn

KB
Katharine Blake

PJ
Peter Jeffrey

Norfolk

VG
Valerie Gearon

Mary Boleyn

GB
Gary Bond

Smeaton

TW
Terence Wilton

Lord Percy

DQ
Denis Quilley

Weston

Esmond Knight

Kingston

MJ
Michael Johnson

George Boleyn

MM
Marne Maitland

Campeggio

NS
Nora Swinburne

Lady Kingston

JE
June Ellis

Bess

Details

Directed by
Charles Jarrott
Written by
Bridget Boland, John Hale
Type
Movies
Released
1969
Runtime
145 min
Country
United Kingdom
Ratings
★ IMDb 7.4 · 8,968 ratings
Feels mostly
Sadness
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.