Last of the Renegades
1964 · 94 min · Director: Harald Reinl
Show plot summary (may contain spoilers)
Forester, a ruthless oil baron, wants to create a war between the native American tribes and the white men. Old Shatterhand, Winnetou and their sidekick Castlepool try to prevent this.
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Emotional fingerprint
Last of the Renegades (1964) — Movie. Top emotional signals: Excitement 30%, Satisfaction 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Satisfaction25%
- Empathy20%
- Tension15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Satisfaction, Empathy. Genres: Adventure, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Satisfaction and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Hope
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Hope | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Hope | 48 % | 43 % | 37 % | 8 % |
| 7.5 % | ≈ 7′ | Hope | 55 % | 46 % | 45 % | 16 % |
| 12.5 % | ≈ 12′ | Hope | 59 % | 45 % | 41 % | 21 % |
| 17.5 % | ≈ 16′ | Tension | 61 % | 41 % | 26 % | 15 % |
| 22.5 % | ≈ 21′ | Humor | 60 % | 35 % | 19 % | 9 % |
| 27.5 % | ≈ 26′ | Humor | 57 % | 40 % | 20 % | 15 % |
| 32.5 % | ≈ 31′ | Relief | 64 % | 56 % | 25 % | 26 % |
| 37.5 % | ≈ 35′ | Tension | 69 % | 61 % | 28 % | 26 % |
| 42.5 % | ≈ 40′ | Humor | 61 % | 48 % | 36 % | 21 % |
| 47.5 % | ≈ 45′ | Hope | 64 % | 50 % | 48 % | 16 % |
| 52.5 % | ≈ 49′ | Tension | 77 % | 64 % | 41 % | 10 % |
| 57.5 % | ≈ 54′ | Sadness | 78 % | 60 % | 29 % | 8 % |
| 62.5 % | ≈ 59′ | Tension | 74 % | 63 % | 25 % | 8 % |
| 67.5 % | ≈ 63′ | Tension | 80 % | 75 % | 20 % | 6 % |
| 72.5 % | ≈ 68′ | Tension | 85 % | 81 % | 16 % | 5 % |
| 77.5 % | ≈ 73′ | Tension | 84 % | 83 % | 19 % | 5 % |
| 82.5 % | ≈ 78′ | Tension | 83 % | 83 % | 26 % | 6 % |
| 87.5 % | ≈ 82′ | Tension | 86 % | 86 % | 41 % | 15 % |
| 92.5 % | ≈ 87′ | Tension | 84 % | 74 % | 44 % | 35 % |
| 97.5 % | ≈ 92′ | Relief | 72 % | 45 % | 33 % | 52 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Susan Merril
Carter
Caesar
Capt. Bruce
Gunstick Uncle
Tah-Sha-Tunga
Narrator (voice) (uncredited)
Ponca Chief (uncredited)
Details
- Directed by
- Harald Reinl
- Written by
- Harald G. Petersson, Karl May
- Type
- Movies
- Released
- 1964
- Runtime
- 94 min
- Country
- France, Germany, Yugoslavia
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





