Game of Love
2022 · 91 min · Director: Elisa Amoruso
Show plot summary (may contain spoilers)
Follows Vivien and Roy as their love story continues and leads them to Roy’s childhood home in Sicily to prepare for the sale of the family estate. During the visit, a mysterious woman arrives and befriends Vivien, much to Roy’s displeasure. Tensions build and lines are crossed as secrets from Roy’s past force the couple to face aspects of their relationship they did not know existed.
Emotional fingerprint
Game of Love (2022) — Movie. Top emotional signals: Anxiety 30%, Tension 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Love. Its IMDb rating of 3.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 47 % | 12 % | 10 % | 37 % |
| 7.5 % | ≈ 7′ | Sadness | 44 % | 19 % | 19 % | 25 % |
| 12.5 % | ≈ 11′ | Joy | 48 % | 15 % | 21 % | 19 % |
| 17.5 % | ≈ 16′ | Joy | 54 % | 13 % | 20 % | 20 % |
| 22.5 % | ≈ 20′ | Curiosity | 51 % | 13 % | 29 % | 16 % |
| 27.5 % | ≈ 25′ | Joy | 46 % | 9 % | 36 % | 13 % |
| 32.5 % | ≈ 30′ | Curiosity | 48 % | 11 % | 43 % | 16 % |
| 37.5 % | ≈ 34′ | Joy | 59 % | 15 % | 56 % | 19 % |
| 42.5 % | ≈ 39′ | Tension | 70 % | 18 % | 59 % | 28 % |
| 47.5 % | ≈ 43′ | Love | 70 % | 24 % | 38 % | 53 % |
| 52.5 % | ≈ 48′ | Love | 60 % | 24 % | 25 % | 54 % |
| 57.5 % | ≈ 52′ | Tension | 51 % | 23 % | 39 % | 25 % |
| 62.5 % | ≈ 57′ | Tension | 55 % | 28 % | 54 % | 15 % |
| 67.5 % | ≈ 61′ | Curiosity | 64 % | 39 % | 60 % | 24 % |
| 72.5 % | ≈ 66′ | Sadness | 73 % | 59 % | 66 % | 30 % |
| 77.5 % | ≈ 71′ | Sadness | 75 % | 70 % | 61 % | 34 % |
| 82.5 % | ≈ 75′ | Sadness | 69 % | 62 % | 50 % | 38 % |
| 87.5 % | ≈ 80′ | Love | 66 % | 50 % | 55 % | 41 % |
| 92.5 % | ≈ 84′ | Tension | 70 % | 47 % | 65 % | 40 % |
| 97.5 % | ≈ 89′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Game of Love. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Roy
Anna
Tony
April
Concetta
Thomas
Roy da bambino
Anna da bambina
Details
- Directed by
- Elisa Amoruso
- Written by
- Anita Rivaroli, Elisa Amoruso, Marco Belardi, Marco Borromei
- Type
- Movies
- Released
- 2022
- Runtime
- 91 min
- Country
- Italy, United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
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