feeldb

Faster, Pussycat! Kill! Kill!

1965 · 83 min · Director: Russ Meyer ★ IMDb 6.6 · 17,615 ratings

Show plot summary (may contain spoilers)

A trio of thrill-seeking go-go dancers kidnap a young girl and attempt to seduce an old rancher and his two sons out of their small fortune, but their scheme doesn't play out as intended.

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Emotional fingerprint

Faster, Pussycat! Kill! Kill! (1965) — Movie. Top emotional signals: Excitement 35%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor25%
  2. Joy10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Humor, Tension. Genres: Thriller, Comedy, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Humor and Tension. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Disturbing
  • Fear

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Disturbing

Dominant emotion: Humor

Dominant emotion: Tension

Tension
Disturbing
Fear
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 18 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionDisturbingFear
2.5 %≈ 2′Disturbing42 %31 %32 %11 %
7.5 %≈ 6′Humor41 %29 %20 %8 %
12.5 %≈ 10′Humor43 %32 %13 %9 %
17.5 %≈ 15′Tension54 %48 %28 %20 %
22.5 %≈ 19′Tension65 %60 %49 %32 %
27.5 %≈ 23′Tension65 %61 %56 %37 %
32.5 %≈ 27′Tension64 %60 %56 %40 %
37.5 %≈ 31′Tension61 %57 %53 %35 %
42.5 %≈ 35′Tension61 %57 %46 %36 %
47.5 %≈ 39′Tension70 %66 %45 %49 %
52.5 %≈ 44′Tension73 %69 %51 %51 %
57.5 %≈ 48′Disturbing65 %60 %55 %36 %
62.5 %≈ 52′Disturbing55 %48 %46 %22 %
67.5 %≈ 56′Tension54 %48 %37 %25 %
72.5 %≈ 60′Tension66 %61 %41 %42 %
77.5 %≈ 64′Tension73 %69 %48 %49 %
82.5 %≈ 68′Tension78 %75 %64 %55 %
87.5 %≈ 73′Disturbing81 %78 %63 %63 %
92.5 %≈ 77′Tension80 %76 %49 %65 %
97.5 %≈ 81′Tension82 %78 %57 %65 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

TS
Tura Satana

TS
Tura Satana

Varla

HS
Haji Suzuki

H
Haji

Rosie

LW
Lori Williams

SB
Sue Bernard

SL
Stuart Lancaster

PT
Paul Trinka

DB
Dennis Busch

RB
Ray Barlow

JF
John Furlong

JF
John Furlong

Narrator (voice)

MF
Michael Finn

Details

Directed by
Russ Meyer
Written by
Jack Moran
Type
Movies
Released
1965
Runtime
83 min
Country
United States of America
Ratings
★ IMDb 6.6 · 17,615 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.