The Road
1982 · 110 min · Director: Yılmaz Güney, Şerif Gören
Show plot summary (may contain spoilers)
When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.
Your viewing check-in
Emotional fingerprint
The Road (1982) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Melancholy20%
- Anxiety10%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Disturbing
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 47 % | 35 % | 32 % | 32 % |
| 7.5 % | ≈ 8′ | Tension | 47 % | 28 % | 36 % | 33 % |
| 12.5 % | ≈ 14′ | Empathy | 51 % | 30 % | 40 % | 39 % |
| 17.5 % | ≈ 19′ | Tension | 53 % | 34 % | 45 % | 41 % |
| 22.5 % | ≈ 25′ | Empathy | 57 % | 27 % | 54 % | 39 % |
| 27.5 % | ≈ 30′ | Tension | 67 % | 24 % | 65 % | 38 % |
| 32.5 % | ≈ 36′ | Tension | 66 % | 34 % | 60 % | 43 % |
| 37.5 % | ≈ 41′ | Sadness | 63 % | 51 % | 51 % | 54 % |
| 42.5 % | ≈ 47′ | Sadness | 72 % | 55 % | 61 % | 58 % |
| 47.5 % | ≈ 52′ | Tension | 74 % | 40 % | 64 % | 50 % |
| 52.5 % | ≈ 58′ | Disturbing | 63 % | 27 % | 50 % | 43 % |
| 57.5 % | ≈ 63′ | Tension | 61 % | 36 % | 51 % | 49 % |
| 62.5 % | ≈ 69′ | Sadness | 75 % | 54 % | 69 % | 65 % |
| 67.5 % | ≈ 74′ | Tension | 85 % | 57 % | 80 % | 73 % |
| 72.5 % | ≈ 80′ | Disturbing | 88 % | 59 % | 84 % | 76 % |
| 77.5 % | ≈ 85′ | Fear | 91 % | 69 % | 86 % | 84 % |
| 82.5 % | ≈ 91′ | Sadness | 93 % | 83 % | 81 % | 89 % |
| 87.5 % | ≈ 96′ | Sadness | 90 % | 86 % | 69 % | 84 % |
| 92.5 % | ≈ 102′ | Sadness | 72 % | 68 % | 55 % | 61 % |
| 97.5 % | ≈ 107′ | Sadness | 50 % | 45 % | 42 % | 37 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Yusuf
Zafer
Sevket
Mirza
Berber Elim
Cindé
Abdullah
Nazife
Gardiyan
Gülbahar
Details
- Directed by
- Yılmaz Güney, Şerif Gören
- Written by
- Yılmaz Güney
- Type
- Movies
- Released
- 1982
- Runtime
- 110 min
- Country
- France, Switzerland, Turkey
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.



