feeldb

Father Frost

1965 · 79 min · Director: Aleksandr Rou ★ IMDb 6.4 · 6,168 ratings

Show plot summary (may contain spoilers)

A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.

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Emotional fingerprint

Father Frost (1965) — Movie. Top emotional signals: Hope 30%, Love 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Hope
25%Love
  1. Hope30%
  2. Love25%
  3. Fear15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Hope, Love, Excitement. Genres: Comedy, Romance, Fantasy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Hope, Love and Excitement. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Sympathy
  • Joy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sympathy

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Joy

Humor
Sympathy
Joy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorSympathyJoy
2.5 %≈ 2′Humor40 %23 %33 %5 %
7.5 %≈ 6′Sympathy48 %25 %43 %13 %
12.5 %≈ 10′Humor51 %39 %31 %20 %
17.5 %≈ 14′Humor55 %51 %13 %23 %
22.5 %≈ 18′Humor54 %44 %18 %20 %
27.5 %≈ 22′Sympathy54 %30 %36 %13 %
32.5 %≈ 26′Tension57 %29 %45 %6 %
37.5 %≈ 30′Humor57 %44 %40 %10 %
42.5 %≈ 34′Humor61 %59 %35 %16 %
47.5 %≈ 38′Humor68 %48 %48 %15 %
52.5 %≈ 41′Sympathy71 %28 %57 %11 %
57.5 %≈ 45′Tension70 %38 %43 %14 %
62.5 %≈ 49′Humor64 %49 %33 %19 %
67.5 %≈ 53′Sympathy61 %38 %38 %15 %
72.5 %≈ 57′Tension66 %27 %45 %6 %
77.5 %≈ 61′Sympathy72 %26 %51 %18 %
82.5 %≈ 65′Love74 %38 %40 %45 %
87.5 %≈ 69′Humor71 %49 %24 %43 %
92.5 %≈ 73′Tension74 %53 %19 %34 %
97.5 %≈ 77′Joy78 %58 %15 %52 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

AK
Aleksandr Khvylya

AK
Aleksandr Khvylia

Väterchen Frost

NS
Natalya Sedykh

EI
Eduard Izotov

EI
Eduard Izotov

Ivan

IC
Inna Churikova

GM
Georgi Millyar

VA
Vera Altayskaya

PP
Pavel Pavlenko

GM
Georgi Millyar

Baba Jaga

TB
Tatyana Barysheva

GB
Galina Borisova

Waldmännchen

AK
Anatoliy Kubatskiy

VB
Valentin Bryleev

TP
Tatyana Pelttser

Mutter des Freiers

VP
Varvara Popova

Frau mit Holzbündel

ZV
Zinaida Vorkul

Iwans Mutter

DB
D. Bakhtin

VZ
Vyacheslav Zhukovsky

NZ
Natalya Zorina

Dorfmädchen

KK
Klavdiya Kozlyonkova

MK
Margarita Korabelnikova

Frau

PM
Pyotr Mukhin

Details

Directed by
Aleksandr Rou
Written by
Nikolay Erdman, Mikhail Volpin
Type
Movies
Released
1965
Runtime
79 min
Country
Soviet Union
Ratings
★ IMDb 6.4 · 6,168 ratings
Feels mostly
Hope
Data updated

Where to watch

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.