The Mummy
1959 · 88 min · Director: Terence Fisher
Show plot summary (may contain spoilers)
One by one the archaeologists who discover the 4,000-year-old tomb of Princess Ananka are brutally murdered. Kharis, high priest in Egypt 40 centuries ago, has been brought to life by the power of the ancient gods and his sole purpose is to destroy those responsible for the desecration of the sacred tomb. But Isobel, wife of one of the explorers, resembles the beautiful princess, forcing the speechless and tormented monster to defy commands and abduct Isobel to an unknown fate.
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Emotional fingerprint
The Mummy (1959) — Movie. Top emotional signals: Fear 40%, Tension 25%, Disturbing 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear40%
- Tension25%
- Disturbing15%
- Love10%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Disturbing. Genres: Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 52 % | 21 % | 7 % | 52 % |
| 7.5 % | ≈ 7′ | Curiosity | 57 % | 37 % | 23 % | 54 % |
| 12.5 % | ≈ 11′ | Curiosity | 62 % | 53 % | 39 % | 52 % |
| 17.5 % | ≈ 15′ | Tension | 62 % | 58 % | 43 % | 44 % |
| 22.5 % | ≈ 20′ | Tension | 61 % | 58 % | 43 % | 38 % |
| 27.5 % | ≈ 24′ | Tension | 65 % | 63 % | 51 % | 36 % |
| 32.5 % | ≈ 29′ | Tension | 69 % | 59 % | 51 % | 38 % |
| 37.5 % | ≈ 33′ | Curiosity | 61 % | 39 % | 30 % | 46 % |
| 42.5 % | ≈ 37′ | Curiosity | 54 % | 28 % | 14 % | 48 % |
| 47.5 % | ≈ 42′ | Sadness | 59 % | 37 % | 24 % | 44 % |
| 52.5 % | ≈ 46′ | Tension | 65 % | 52 % | 42 % | 42 % |
| 57.5 % | ≈ 51′ | Tension | 63 % | 56 % | 49 % | 43 % |
| 62.5 % | ≈ 55′ | Tension | 62 % | 57 % | 48 % | 43 % |
| 67.5 % | ≈ 59′ | Tension | 70 % | 67 % | 54 % | 34 % |
| 72.5 % | ≈ 64′ | Tension | 72 % | 69 % | 54 % | 32 % |
| 77.5 % | ≈ 68′ | Curiosity | 65 % | 60 % | 36 % | 41 % |
| 82.5 % | ≈ 73′ | Tension | 65 % | 63 % | 28 % | 39 % |
| 87.5 % | ≈ 77′ | Tension | 75 % | 75 % | 47 % | 30 % |
| 92.5 % | ≈ 81′ | Tension | 84 % | 82 % | 68 % | 23 % |
| 97.5 % | ≈ 86′ | Tension | 86 % | 84 % | 73 % | 19 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mike
Irish Customer
Police Sergeant
Bill
Attendant
Head Porter
Details
- Directed by
- Terence Fisher
- Written by
- Jimmy Sangster
- Type
- Movies
- Released
- 1959
- Runtime
- 88 min
- Country
- United Kingdom
- Genres
- Horror
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





